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Browse Book and Journal Content on Project MUSE

Volume 54, Number 3, Fall 2011

Table of Contents

Performing History: The War-Time Pageants of Louis Napoleon Parker

pp. 265-286 | DOI: 10.1353/mdr.2011.0030

"It Doesn't Count If It's Easy": Facing Pain, Mediating Identity in Tony Kushner's Angels in America

pp. 287-309 | DOI: 10.1353/mdr.2011.0033

Staging the "New Irish": Interculturalism and the Future of the Post-Celtic Tiger Irish Theatre

pp. 310-332 | DOI: 10.1353/mdr.2011.0035

Toward a Definition of Post-Brechtian Performance: The Example of In the Jungle of the Cities at the Berliner Ensemble, 1971

pp. 333-356 | DOI: 10.1353/mdr.2011.0037

A Centenary of Missed Opportunities: A Guide to Assembling an Accurate Volume of Samuel Beckett's Dramatic "Shorts"

pp. 357-382 | DOI: 10.1353/mdr.2011.0039

Book Reviews

Beckett on Screen: The Television Plays (review)

pp. 383-385 | DOI: 10.1353/mdr.2011.0041

Ecology and Environment in European Drama (review)

pp. 385-387 | DOI: 10.1353/mdr.2011.0029

Theatre and Performance Design: A Reader in Scenography (review)

pp. 387-390 | DOI: 10.1353/mdr.2011.0032

Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the WOW Café Theatre (review)

pp. 390-392 | DOI: 10.1353/mdr.2011.0034

Jana Sanskriti: Forum Theatre and Democracy in India (review)

pp. 393-395 | DOI: 10.1353/mdr.2011.0036

Another Part of a Long Story: Literary Traces of Eugene O'Neill and Agnes Boulton (review)

pp. 395-397 | DOI: 10.1353/mdr.2011.0038

Ariel Dorfman: An Aesthetics of Hope (review)

pp. 397-399 | DOI: 10.1353/mdr.2011.0040

Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance (review)

pp. 399-401 | DOI: 10.1353/mdr.2011.0042


pp. 402-403 | DOI: 10.1353/mdr.2011.0031

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