We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 54, Number 2, Summer 2011

Table of Contents

Classical German Drama on the British Stage: Schiller's Wallenstein at the Chichester Festival

pp. 121-140 | DOI: 10.1353/mdr.2011.0026

Emblems of Authority in The Admirable Crichton

pp. 141-160 | DOI: 10.1353/mdr.2011.0014

Changing Times: J.O. Francis and the First Welsh National Drama Movement

pp. 161-180 | DOI: 10.1353/mdr.2011.0017

Pozzo's Knook, Beckett's Boys, and Santa Claus

pp. 181-193 | DOI: 10.1353/mdr.2011.0019

The "Sexuation" of Sublimation: A Žižekian Approach to John Mighton's Possible Worlds

pp. 194-215 | DOI: 10.1353/mdr.2011.0021

Hearing Double: Acousmatic Authority and the Rise of the Theatre Director

pp. 216-243 | DOI: 10.1353/mdr.2011.0023


Oskar Panizza and The Love Council: A History of the Scandalous Play on Stage and in Court, with the Complete Text in English and a Biography of the Author (review)

pp. 244-246 | DOI: 10.1353/mdr.2011.0025

Contemporary European Theatre Directors (review)

pp. 246-248 | DOI: 10.1353/mdr.2011.0028

The Provocation of the Senses in Contemporary Theatre (review)

pp. 248-250 | DOI: 10.1353/mdr.2011.0016

No Such Thing as Silence: John Cage's "4'3" (review)

pp. 250-252 | DOI: 10.1353/mdr.2011.0018

The Letters of Gertrude Stein and Virgil Thomson: Composition as Conversation (review)

pp. 252-255 | DOI: 10.1353/mdr.2011.0020

Cruising Utopia: The Then and There of Queer Futurity (review)

pp. 255-257 | DOI: 10.1353/mdr.2011.0022

The Drama of Ideas: Platonic Provocations in Theater and Philosophy (review)

pp. 257-260 | DOI: 10.1353/mdr.2011.0024

Gypsy: The Art of the Tease (review)

pp. 260-262 | DOI: 10.1353/mdr.2011.0027



pp. 263-264 | DOI: 10.1353/mdr.2011.0015

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access