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Browse Book and Journal Content on Project MUSE

Volume 53, Number 1, Spring 2010

Table of Contents

An Affinity for Philosophy: The Absurdoid Theatre of Géza Páskándi

pp. 3-21 | DOI: 10.1353/mdr.0.0148

The Miracle That Happens When Desire's Dead

pp. 22-38 | DOI: 10.1353/mdr.0.0151

Blasphemy in John Osborne's A Subject of Scandal and Concern and Luther

pp. 39-56 | DOI: 10.1353/mdr.0.0154

Between the Language and Silence of War: Martha Gellhorn and the Female Characters of Hemingway's The Fifth Column

pp. 57-75 | DOI: 10.1353/mdr.0.0156

The Dimensions of the Moment: Modernist Shorts

pp. 76-102 | DOI: 10.1353/mdr.0.0143

Narrating, Witnessing, and Healing Trauma in Paula Vogel's How I Learned to Drive

pp. 103-114 | DOI: 10.1353/mdr.0.0145


Arthur Miller: 1915-1962 (review)

pp. 115-117 | DOI: 10.1353/mdr.0.0147

Staging Stigma: A Critical Examination of the American Freak Show (review)

pp. 117-119 | DOI: 10.1353/mdr.0.0150

Bernard Shaw and the BBC (review)

pp. 119-122 | DOI: 10.1353/mdr.0.0153

Choreographing the Folk: The Dance Stagings of Zora Neale Hurston (review)

pp. 122-124 | DOI: 10.1353/mdr.0.0155

Living Masks: The Achievement of Pirandello (review)

pp. 124-126 | DOI: 10.1353/mdr.0.0157

Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (review)

pp. 126-128 | DOI: 10.1353/mdr.0.0144

Modern Drama: Critical Concepts in Literary and Cultural Studies (review)

pp. 128-131 | DOI: 10.1353/mdr.0.0146

The Spectacle of Japanese American Trauma: Racial Performativity and World War II (review)

pp. 131-133 | DOI: 10.1353/mdr.0.0149



pp. 134-135 | DOI: 10.1353/mdr.0.0152

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