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Modern Drama

Volume 52, Number 3, Fall 2009

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E-ISSN: 1712-5286 Print ISSN: 0026-7694

Table of Contents

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In Memoriam: Aubrey Carroll Edwards (1909–2009)
pp. 259-261

Articles

From the Dreamwork of Secession to Orgies Mysteries Theatre
pp. 263-282
Revolution and the End of History: Caryl Churchill’s Mad Forest
pp. 283-299
Living at the End of the Irish Century: Globalization and Identity in Declan Hughes’s Shiver
pp. 300-324
Making the “Unstageable” Stageable: English Rewritings of Chekhov’s First Play
pp. 325-350
Before Katrina: Archiving Performative Downpours and Fallen Women Named Sadie in Rain and The Deluge (1922)
pp. 351-368

Reviews

Past Performance: American Theatre and the Historical Imagination (review)
pp. 369-371
The Cambridge Companion to David Hare (review)
pp. 371-373
Understanding Tony Kushner (review)
pp. 373-375
Bernard Shaw and China: Cross-Cultural Encounters (review)
pp. 376-378
Beyond the Golden Door: Jewish American Drama and Jewish American Experience (review)
pp. 378-380
Messiahs of 1933: How American Yiddish Theater Survived Adversity through Satire (review)
pp. 380-381
The Stanislavsky System of Acting: Legacy and Influence in Modern Performance (review)
pp. 382-384
The Selected Letters of Thornton Wilder (review)
pp. 384-386

Contributors

Contributors
pp. 387-388

© 2009 Project MUSE®. Produced by The Johns Hopkins University Press in collaboration with The Milton S. Eisenhower Library.