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Modern Drama

Volume 52, Number 2, Summer 2009

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E-ISSN: 1712-5286 Print ISSN: 0026-7694

Table of Contents

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Note
p. 1
The Function of Decorum at the Present Time: Manners, Moral Language, and Modernity in "an Oscar Wilde Play"
pp. 145-167
Everything is Corrected: Corruption, Terror, Intelligentsia, and the State in Edvard Radzinsky's Conversations with Socrates
pp. 168-191
The Feast of Nemesis Media: Jean Cocteau's The Eiffel Tower Wedding Party
pp. 192-206
Sacrifice, Inhibition, and Oedipal Fantasy in Krapp's Last Tape
pp. 207-219
Reinventing India through "A quite witty pastiche": Reading Tom Stoppard's Indian Ink
pp. 220-237

Reviews

The Theatre of Socìetas Raffaello Sanzio (review)
pp. 238-240
The King of the Great Clock Tower and A Full Moon in March: Manuscript Materials by W.B. Yeats (review)
pp. 240-242
Making Theatre: A Life of Sharon Pollock (review)
pp. 242-244
Playwrights Teach Playwriting: Revealing Essays by Contemporary Playwrights (review)
pp. 245-247
Theatre Ecology: Environments and Performance Events (review)
pp. 247-249
The Ulster Literary Theatre and the Northern Revival (review)
pp. 250-252
The Swastika and the Stage: German Theatre and Society, 1933–1945 (review)
pp. 252-254
Edward Albee (review)
pp. 254-256

Contributors

Contributors
pp. 257-258

© 2009 Project MUSE®. Produced by The Johns Hopkins University Press in collaboration with The Milton S. Eisenhower Library.