Modern Drama
Volume 52, Number 1, Spring 2009
Previous Issue 
E-ISSN: 1712-5286 Print ISSN: 0026-7694
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Table of Contents
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“Biting the Sour Apple”: The Nietzschean Undertow in Little Eyolf
pp. 1-18
richardthesecond: Adapting Shakespeare to the Local in a Culture of Global Celebrity
pp. 19-37
Things, Voices, Events: Harold Pinter’s Mountain Language as Testamental Text
pp. 38-56
Subject Headings:
The Emperor Jones and National Trauma
pp. 57-72
Subject Headings:
“[The] Things What Happened with Our Family”: Property and Inheritance in August Wilson’s The Piano Lesson
pp. 73-98
Middlebrowing the Avant-Garde: Equus on the West End
pp. 99-123
Reviews
The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)
pp. 124-126
Contemporary African American Women Playwrights: A Casebook (review)
pp. 131-133
How Plays Work: Reading and Performance (review)
pp. 133-136
Modernism, Drama, and the Audience for Irish Spectacle (review)
pp. 138-140
Suspect Cultures: Narrative, Identity and Citation in 1990s New Drama (review)
pp. 140-142