Table of Contents

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Special Issue: Theatre and Medicine
Guest Editor: Stanton B. Garner, Jr.
Introduction: Is There a Doctor in the House? Medicine and the Making of Modern Drama
pp. 311-328
Strindberg as Vivisector: Physiology, Pathology, and Anti-Mimesis in The Father and Miss Julie
pp. 329-352
Choleric Fictions: Epidemiology, Medical Authority, and An Enemy of the People
pp. 353-368
Coercive Somatographies: X-rays, Hypnosis, and Stanislavsky's Production Plan for The Seagull
pp. 369-388
The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss
pp. 389-410
Reviews
Understanding Beth Henley (review)
pp. 411-413
The Senses in Performance (review)
pp. 413-415
Brian Friel, Ireland, and the North (review)
pp. 415-417
Cool Britannia? British Political Drama in the 1990s (review)
pp. 417-420
Radical Nostalgia: Spanish Civil War Commemoration in America (review)
pp. 420-422
Re:Producing Women's Dramatic History: The Politics of Playing in Toronto (review)
pp. 422-424
Performance and Cognition: Theatre Studies and the Cognitive Turn (review)
pp. 424-426
The Wooster Group Work Book (review)
pp. 427-429
Contributors