Modern Drama
Volume 51, Number 2, Summer 2008
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E-ISSN: 1712-5286 Print ISSN: 0026-7694
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Table of Contents
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Glocalized Theatrum Mundi: The Case of Comédie des comédiens
pp. 165-187
Cries of Fire: Psychotherapy in Contemporary British and Irish Drama
pp. 188-210
Bringing out the Acid: Noël Coward, Harold Pinter, Ivy Compton-Burnett and the Uses of Camp
pp. 211-233
Narratives of Success, Narratives of Failure: The Creation and Collapse of Sistren's "Aesthetic Space"
pp. 234-258
Subject Headings:
"How Will They Ever Heal . . .?" Bearing Witness to Abuse and the Importance of Female Community in Sarah Daniels's Beside Herself, Head-Rot Holiday, and The Madness of Esme and Shaz
pp. 259-273
French Tragic Farce in an Age of Interpellation: Michel Azama's Croisades and Hervé Blutsch's Anatole Felde
pp. 274-287
Subject Headings:
Reviews
Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell, and: Susan Glaspell and the Anxiety of Expression: Language and Isolation in the Plays (review)
pp. 289-293
Ritual and Event: Interdisciplinary Perspectives (review)
pp. 295-298
Electric Salome: Loie Fuller's Performance of Modernism (review)
pp. 298-300
A Companion to Modern British and Irish Drama 1880-2005 (review)
pp. 303-305
Seán O'Casey: Writer at Work. A Biography (review)
pp. 305-307