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Browse Book and Journal Content on Project MUSE

Volume 51, Number 1, Spring 2008

Table of Contents

From: Modern Drama

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Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern Theatre

pp. 1-41 | DOI: 10.1353/mdr.0.0036

"Who's Selling Here?": Sounds Like The Music Man Is Selling and We're Buying

pp. 42-59 | DOI: 10.1353/mdr.0.0023

Homosexual Panic in Cat on a Hot Tin Roof

pp. 60-72 | DOI: 10.1353/mdr.0.0026

"Vinløv i håret": The Relationship between Women, Language, and Power in Ibsen's Hedda Gabler

pp. 73-83 | DOI: 10.1353/mdr.0.0029

Medea as Material: Heiner Müller, Myth, and Text

pp. 84-103 | DOI: 10.1353/mdr.0.0031

From Coward and Rattigan to Osborne: Or the Enduring Importance of Look Back in Anger

pp. 104-124 | DOI: 10.1353/mdr.0.0033

Bombing (on) the Border: Ali and Ali and the aXes of Evil as Transnational Agitprop

pp. 126-144 | DOI: 10.1353/mdr.0.0035


Beckett and Badiou: The Pathos of Intermittency (review)

pp. 145-147 | DOI: 10.1353/mdr.0.0022

Staging Black Feminisms: Identity, Politics, Performance (review)

pp. 147-149 | DOI: 10.1353/mdr.0.0025

A History of Asian American Theatre (review)

pp. 149-152 | DOI: 10.1353/mdr.0.0028

Chekhov: The Cherry Orchard (review)

pp. 152-154 | DOI: 10.1353/mdr.0.0030

The Plays of Beth Henley: A Critical Study (review)

pp. 154-156 | DOI: 10.1353/mdr.0.0032

Stage Fright, Animals and Other Theatrical Problems (review)

pp. 156-158 | DOI: 10.1353/mdr.0.0034

The Cambridge Companion to Brian Friel (review)

pp. 158-160 | DOI: 10.1353/mdr.0.0037

The Total Work of Art: From Bayreuth to Cyberspace (review)

pp. 160-162 | DOI: 10.1353/mdr.0.0024



pp. 163-164 | DOI: 10.1353/mdr.0.0027

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