Table of Contents

Your Subscribed Content
The Prompter’s Box: Modern Drama and Literary Criticism
pp. 475-486
A Difficult Birth: Bringing Staging Studies to the Pages of Modern Drama
pp. 487-499
The Gas Heart: Disfigurement and the Dada Body
pp. 500-516
Antígona and the Modernity of the Dead
pp. 517-531
Waiting for Recognition: An Aristotle for “Non-Aristotelian” Drama
pp. 532-544
Opening the Windshield: Death of a Salesman and Theatrical Liberalism
pp. 545-564
The Canonization of Eugene O’Neill
pp. 565-581
Teaching Joe Turner’s Come and Gone
pp. 582-600
Fun and Games with George and Nick: Competitive Masculinity in Who’s Afraid of Virginia Woolf?
pp. 601-619
Teaching A Doll House, Rachel, and Marisol: Domestic Ideals, Possessive Individuals, and Modern Drama
pp. 620-637
Reviews
Acting Jewish: Negotiating Ethnicity on the American Stage and Screen (review)
pp. 638-640
Interrogating America Through Theatre and Performance (review)
pp. 640-642
Staging Motherhood: British Women Playwrights, 1956 to the Present (review)
pp. 642-644
Postdramatic Theatre (review)
pp. 644-647
Science on Stage: From Doctor Faustus to Copenhagen (review)
pp. 647-649
The Theatre of Martin Crimp (review)
pp. 649-651
Print and the Poetics of Modern Drama (review)
pp. 651-653
Contributors
Index
Index to Volume 50, 2007
pp. 657-659