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Volume 47, Number 4, Winter 2004

Table of Contents

Irish Theatre: Conditions of Criticism

pp. 561-571 | DOI: 10.1353/mdr.2004.0009

Mirror up to Nurture: J. M. Synge and His Critics

pp. 572-584 | DOI: 10.1353/mdr.2004.0019

Violence on the Abbey Theatre Stage: The National Project and the Critic; Two Case Studies

pp. 585-593 | DOI: 10.1353/mdr.2004.0029

The Critical "Gap of the North": Nationalism, National Theatre, and the North

pp. 594-606 | DOI: 10.1353/mdr.2004.0039

Throwing Theory at Ireland?: The Field Day Theatre Company and Postcolonial Theatre Criticism

pp. 607-623 | DOI: 10.1353/mdr.2004.0048

"Besides the Obvious": Postcolonial Criticism, Drama, and Civil Society

pp. 624-635 | DOI: 10.1353/mdr.2004.0057

"The Laughter Will Come of Itself. The Tears Are Inevitable": Martin McDonagh, Globalization, and Irish Theatre Criticism

pp. 636-658 | DOI: 10.1353/mdr.2004.0005

Irish Theatre Criticism: De-territorialisation and Integration

pp. 659-670 | DOI: 10.1353/mdr.2004.0015

Irish Theatrical Celebrity and the Critical Subjugation of Difference in the Work of Frank McGuinness

pp. 671-685 | DOI: 10.1353/mdr.2004.0025

Wordmadeflesh: Writing the Body in Irish Theatre

pp. 686-700 | DOI: 10.1353/mdr.2004.0035

Listening Differently: The Croon Collaboration

pp. 701-720 | DOI: 10.1353/mdr.2004.0044

Review Article

Historicising Is Not Enough: Recent Developments and Trends in Irish Theatre History

pp. 721-731 | DOI: 10.1353/mdr.2004.0053


pp. 732-734 | DOI: 10.1353/mdr.2004.0001

Index to Volume 45, 2002

pp. 735-738 | DOI: 10.1353/mdr.2004.0011

Index to Volume 46, 2003

pp. 739-742 | DOI: 10.1353/mdr.2004.0021

Index to Volume 47, 2004

pp. 743-745 | DOI: 10.1353/mdr.2004.0031

Research Areas


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