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Volume 47, Number 2, Summer 2004

Table of Contents

Introduction

pp. 165-176 | DOI: 10.1353/mdr.2004.0047

Wonder in the Heart of Empire: Deborah Warner's Medea and The Angel Project

pp. 177-199 | DOI: 10.1353/mdr.2004.0030

Blackout: Utopian Technologies in Adrienne Kennedy's Funnyhouse of a Negro

pp. 200-218 | DOI: 10.1353/mdr.2004.0052

This Is Home, This Isn't Home: Reza Abdoh's Tight Right White

pp. 219-236 | DOI: 10.1353/mdr.2004.0014

Death and Desire, Apocalypse and Utopia: Feminist Gestus and the Utopian Performative in the Plays of Naomi Wallace

pp. 237-249 | DOI: 10.1353/mdr.2004.0018

Urban Bush Women: Finding Shelter in the Utopian Ensemble

pp. 250-268 | DOI: 10.1353/mdr.2004.0024

Choreographies of Resistance: Latina/o Queer Dance and the Utopian Performative

pp. 269-289 | DOI: 10.1353/mdr.2004.0000

Dancing Other-Wise: Ethics, Metaphysics, and Utopia in Hae Kyung Lee and Dancers

pp. 290-308 | DOI: 10.1353/mdr.2004.0043

"Something Better than This": Sweet Charity and the Feminist Utopia of Broadway Musicals

pp. 309-332 | DOI: 10.1353/mdr.2004.0040

Reviews

Theatricality ed. by Tracy C. Davis and Thomas Postlewait (review)

pp. 333-334 | DOI: 10.1353/mdr.2004.0028

Medea's Daughters: Forming and Performing the Woman Who Kills by Jennifer Jones (review)

pp. 334-337 | DOI: 10.1353/mdr.2004.0056

Mama Dada: Gertrude Stein's Avant-Garde Theater by Sarah Bay-Cheng (review)

pp. 337-339 | DOI: 10.1353/mdr.2004.0010

Voices Made Flesh: Performing Women's Autobiography ed. by Lynn C. Miller, Jacqueline Taylor, and Heather Carver (review)

pp. 339-342 | DOI: 10.1353/mdr.2004.0004

Negotiating Cultures: Eugenio Barba and the Intercultural Debate ed. by Ian Watson (review)

pp. 342-344 | DOI: 10.1353/mdr.2004.0020

A Problem Like Maria: Gender and Sexuality in the American Musical by Stacy Wolf (review)

pp. 344-346 | DOI: 10.1353/mdr.2004.0034

Contributors

pp. 347-348 | DOI: 10.1353/mdr.2004.0038

Research Areas

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