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Table of Contents

  1. The Failure of History: Kushner's Homebody/Kabul and the Apocalyptic Context
  2. M. Scott Phillips
  3. pp. 1-20
  4. DOI: https://doi.org/10.1353/mdr.2004.0050
  5. restricted access
  1. Traps, Softcops, Blue Heart, and This Is a Chair: Tracking Epistemological Upheaval in Caryl Churchill's Shorter Plays
  2. Daniel Jernigan
  3. pp. 21-43
  4. DOI: https://doi.org/10.1353/mdr.2004.0022
  5. restricted access
  1. Sex, Lies, and Revisions: Historicizing Hellman's The Children's Hour
  2. Jenny S. Spencer
  3. pp. 44-65
  4. DOI: https://doi.org/10.1353/mdr.2004.0060
  5. restricted access
  1. Amputation, Phantom Limbs, and Spectral Agency in Shakespeare's Titus Andronicus and Normand Chaurette's Les Reines
  2. Shawn Huffman
  3. pp. 66-81
  4. DOI: https://doi.org/10.1353/mdr.2004.0012
  5. restricted access
  1. Masks of Language, Culture, and Community: "Sweet Revenge" in Marie Laberge's Le Night Cap Bar
  2. Cara Gargano
  3. pp. 82-97
  4. DOI: https://doi.org/10.1353/mdr.2004.0002
  5. restricted access
  1. "Swallowing the Lie" in Betty Lambert's Jennie's Story
  2. Rosalind Kerr
  3. pp. 98-113
  4. DOI: https://doi.org/10.1353/mdr.2004.0041
  5. restricted access
  1. Staging Schizophrenia: The Workman Theatre Project and Terry Watada's Vincent
  2. Kirsty Johnston
  3. pp. 114-132
  4. DOI: https://doi.org/10.1353/mdr.2004.0032
  5. restricted access
  1. Living on the Edge: Memory, Material Circumstances, and Perception in the Theatre of Kama Ginkas
  2. Manon van de Water
  3. pp. 133-148
  4. DOI: https://doi.org/10.1353/mdr.2004.0008
  5. restricted access
  1. New Readings in Theatre History by Jacky Bratton (review)
  2. Jim Davis
  3. pp. 149-151
  4. DOI: https://doi.org/10.1353/mdr.2004.0006
  5. restricted access
  1. Feminist Views on the English Stage: Women Playwrights, 1990-2000 by Elaine Aston (review)
  2. Maria DiCenzo
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/mdr.2004.0016
  5. restricted access
  1. Analyzing Performance: Theater, Dance, and Film by Patrice Pavis (review)
  2. Susan Bennett
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/mdr.2004.0026
  5. restricted access
  1. Beckett and Aesthetics by Daneil Albright (review)
  2. Carl Lavery
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/mdr.2004.0036
  5. restricted access
  1. "Other" Spanish Theatres: Erasure and Inscription on the Twentieth-Century Spanish Stage by Maria Delgado (review)
  2. David George
  3. pp. 157-159
  4. DOI: https://doi.org/10.1353/mdr.2004.0045
  5. restricted access
  1. A Short History of Western Performance Space by David Wiles (review)
  2. Gay McAuley
  3. pp. 159-161
  4. DOI: https://doi.org/10.1353/mdr.2004.0054
  5. restricted access
  1. Contributors
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/mdr.2004.0058
  5. restricted access