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Volume 45, Number 3, Fall 2002

Table of Contents

Introduction

pp. 335-337 | DOI: 10.1353/mdr.2002.0037

Soyinka and the Canon's Mouth

pp. 338-348 | DOI: 10.1353/mdr.2002.0048

Modernity and Its Mirages: Wole Soyinka and the African State

pp. 349-357 | DOI: 10.1353/mdr.2002.0059

The Homestead at the Exit of the Paterfamilias: African Cultural Thought after Wole Soyinka

pp. 358-377 | DOI: 10.1353/mdr.2002.0001

Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance of the Forests

pp. 378-394 | DOI: 10.1353/mdr.2002.0011

The Shifting Structures of Power in The Beatification of Area Boy

pp. 395-408 | DOI: 10.1353/mdr.2002.0022

Elesin, Cuchulain, and the Kingdom: The Culture Hero's Sacrifice

pp. 409-429 | DOI: 10.1353/mdr.2002.0033

Dramatizing Atrocities: Plays by Wole Soyinka, Francis Imbuga, and George Seremba Recalling the Idi Amin Era

pp. 430-448 | DOI: 10.1353/mdr.2002.0044

Whose Theatre, Whose Africa?: Wole Soyinka's The Road on the Road

pp. 449-450 | DOI: 10.1353/mdr.2002.0055

Reviews

Postcolonial Plays: An Anthology ed. by Helen Gilbert (review)

pp. 466-470 | DOI: 10.1353/mdr.2002.0066

Women's Intercultural Performance by Julie Holledge and Joanne Tompkins (review)

pp. 470-472 | DOI: 10.1353/mdr.2002.0007

Performing Democracy: International Perspectives on Urban Community-Based Performance ed. by Susan C. Haedicke and Tobin Nellhaus (review)

pp. 473-476 | DOI: 10.1353/mdr.2002.0017

Community Theatre: Global Perspectives by Eugene van Erven (review)

pp. 476-479 | DOI: 10.1353/mdr.2002.0028

Hamlet and the Baker's Son: My Life in Theatre and Politics by Augusto Boal (review)

pp. 479-481 | DOI: 10.1353/mdr.2002.0039

Points of Contact: Disability, Art, and Culture ed. by Susan Crutchfield and Marcy Epstein (review)

pp. 481-484 | DOI: 10.1353/mdr.2002.0050

Sideshow U.S.A.: Freaks and the American Cultural Imagination by Rachel Adams (review)

pp. 484-486 | DOI: 10.1353/mdr.2002.0061

Geographies of Learning: Theory and Practice, Activism and Performance by Jill Dolan (review)

pp. 487-489 | DOI: 10.1353/mdr.2002.0003

The Dubious Spectacle: Extremities of Theater, 1976-2000 by Herbert Blau (review)

pp. 489-491 | DOI: 10.1353/mdr.2002.0013

Contributors

pp. 492-493 | DOI: 10.1353/mdr.2002.0024

Research Areas

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