+ MUSE Alert

In this Issue

Table of Contents

  1. Soyinka and the Canon's Mouth
  2. Stephen Slemon
  3. pp. 338-348
  4. DOI: https://doi.org/10.1353/mdr.2002.0048
  5. restricted access
  1. Modernity and Its Mirages: Wole Soyinka and the African State
  2. Tejumola Olaniyan
  3. pp. 349-357
  4. DOI: https://doi.org/10.1353/mdr.2002.0059
  5. restricted access
  1. The Homestead at the Exit of the Paterfamilias: African Cultural Thought after Wole Soyinka
  2. Titi Adepitan
  3. pp. 358-377
  4. DOI: https://doi.org/10.1353/mdr.2002.0001
  5. restricted access
  1. Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance of the Forests
  2. Harry Garuba
  3. pp. 378-394
  4. DOI: https://doi.org/10.1353/mdr.2002.0011
  5. restricted access
  1. The Shifting Structures of Power in The Beatification of Area Boy
  2. Kolawole Olaiya
  3. pp. 395-408
  4. DOI: https://doi.org/10.1353/mdr.2002.0022
  5. restricted access
  1. Elesin, Cuchulain, and the Kingdom: The Culture Hero's Sacrifice
  2. A. Thomas Cavano
  3. pp. 409-429
  4. DOI: https://doi.org/10.1353/mdr.2002.0033
  5. restricted access
  1. Dramatizing Atrocities: Plays by Wole Soyinka, Francis Imbuga, and George Seremba Recalling the Idi Amin Era
  2. Modupe Olaogun
  3. pp. 430-448
  4. DOI: https://doi.org/10.1353/mdr.2002.0044
  5. restricted access
  1. Whose Theatre, Whose Africa?: Wole Soyinka's The Road on the Road
  2. Biodun Jeyifo
  3. pp. 449-450
  4. DOI: https://doi.org/10.1353/mdr.2002.0055
  5. restricted access
  1. Postcolonial Plays: An Anthology ed. by Helen Gilbert (review)
  2. Una Chaudhuri
  3. pp. 466-470
  4. DOI: https://doi.org/10.1353/mdr.2002.0066
  5. restricted access
  1. Women's Intercultural Performance by Julie Holledge and Joanne Tompkins (review)
  2. Priya Srinivasan
  3. pp. 470-472
  4. DOI: https://doi.org/10.1353/mdr.2002.0007
  5. restricted access
  1. Performing Democracy: International Perspectives on Urban Community-Based Performance ed. by Susan C. Haedicke and Tobin Nellhaus (review)
  2. Brian Smith
  3. pp. 473-476
  4. DOI: https://doi.org/10.1353/mdr.2002.0017
  5. restricted access
  1. Community Theatre: Global Perspectives by Eugene van Erven (review)
  2. Edward Little
  3. pp. 476-479
  4. DOI: https://doi.org/10.1353/mdr.2002.0028
  5. restricted access
  1. Hamlet and the Baker's Son: My Life in Theatre and Politics by Augusto Boal (review)
  2. Brian Smith
  3. pp. 479-481
  4. DOI: https://doi.org/10.1353/mdr.2002.0039
  5. restricted access
  1. Points of Contact: Disability, Art, and Culture ed. by Susan Crutchfield and Marcy Epstein (review)
  2. Ann M. Fox
  3. pp. 481-484
  4. DOI: https://doi.org/10.1353/mdr.2002.0050
  5. restricted access
  1. Sideshow U.S.A.: Freaks and the American Cultural Imagination by Rachel Adams (review)
  2. Michael M. Chemers
  3. pp. 484-486
  4. DOI: https://doi.org/10.1353/mdr.2002.0061
  5. restricted access
  1. Geographies of Learning: Theory and Practice, Activism and Performance by Jill Dolan (review)
  2. Rosalind Kerr
  3. pp. 487-489
  4. DOI: https://doi.org/10.1353/mdr.2002.0003
  5. restricted access
  1. The Dubious Spectacle: Extremities of Theater, 1976-2000 by Herbert Blau (review)
  2. Robert F. Gross
  3. pp. 489-491
  4. DOI: https://doi.org/10.1353/mdr.2002.0013
  5. restricted access
  1. Introduction
  2. Anthony Adah, Elizabeth Fitzpatrick
  3. pp. 335-337
  4. DOI: https://doi.org/10.1353/mdr.2002.0037
  5. restricted access
  1. Contributors
  3. pp. 492-493
  4. DOI: https://doi.org/10.1353/mdr.2002.0024
  5. restricted access