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Browse Book and Journal Content on Project MUSE

Volume 45, Number 2, Summer 2002

Table of Contents


pp. 185-187 | DOI: 10.1353/mdr.2002.0027

Duets, Duologues, and Black Diasporic Theatre: Djanet Sears, William Shakespeare, and Others

pp. 188-208 | DOI: 10.1353/mdr.2002.0038

A Feminist Absurd: Margaret Hollingsworth's The House That Jack Built

pp. 209-230 | DOI: 10.1353/mdr.2002.0049

Ideology as Behaviour: Identity and Realism in The Drawer Boy

pp. 231-245 | DOI: 10.1353/mdr.2002.0060

"No, the Centre Should Be Invisible": Radical Revisioning of Chekhov in Floyd Favel Starr's House of Sonya

pp. 246-258 | DOI: 10.1353/mdr.2002.0002

Remembering the Trickster in Tomson Highway's The Rez Sisters

pp. 259-269 | DOI: 10.1353/mdr.2002.0012

Hell is Other Girls: Joan MacLeod's The Shape of a Girl

pp. 270-281 | DOI: 10.1353/mdr.2002.0023

Panych and Gorling: "Sheer" Texts "Written" in (to) Perception

pp. 282-297 | DOI: 10.1353/mdr.2002.0034


pp. 298-301 | DOI: 10.1353/mdr.2002.0045


The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition by Craig Stewart Walker (review)

pp. 302-304 | DOI: 10.1353/mdr.2002.0056

Essays on George F. Walker: Playing with Anxiety by Chris Johnson (review)

pp. 305-308 | DOI: 10.1353/mdr.2002.0067

Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama ed. by Marc Maufort and Franca Bellarsi (review)

pp. 308-311 | DOI: 10.1353/mdr.2002.0008

Ireland's National Theatres: Political Performance and the Origins of the Irish Dramatic Movement by Mary Trotter, and: A Century of Irish Drama: Widening the Stage ed. by Stephen Watt, Eileen Morgan, and Shakir Mustafa (review)

pp. 311-315 | DOI: 10.1353/mdr.2002.0019

Druids, Dudes and Beauty Queens: The Changing Face of Irish Theatre ed. by Dermot Bolger (review)

pp. 315-318 | DOI: 10.1353/mdr.2002.0030

The Dramatic Art of Athol Fugard: From South Africa to the World by Albert Wertheim (review)

pp. 318-320 | DOI: 10.1353/mdr.2002.0041

Georg Büchner's Woyzeck: A History of Its Criticism by David G. Richards (review)

pp. 320-322 | DOI: 10.1353/mdr.2002.0052

Theatre under the Nazis ed. by John London (review)

pp. 322-326 | DOI: 10.1353/mdr.2002.0063

Theatre, History and National Identities ed. by Helka Mäkinen, S.E. Wilmer, and W.B. Worthen (review)

pp. 326-328 | DOI: 10.1353/mdr.2002.0005

Of Borders and Thresholds: Theatre Histoty, Practice, and Theory ed. by Michal Kobialka (review)

pp. 328-332 | DOI: 10.1353/mdr.2002.0015


pp. 333-334 | DOI: 10.1353/mdr.2002.0026

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