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Browse Book and Journal Content on Project MUSE

Volume 44, Number 3, Fall 2001

Table of Contents

Introduction: Modernism and Anti-theatricality

pp. 275-283 | DOI: 10.1353/mdr.2001.0005

Anti-theatricality and the Limits of Naturalism

pp. 284-299 | DOI: 10.1353/mdr.2001.0012

Anti-theatricality in Twentieth-Century Opera

pp. 300-317 | DOI: 10.1353/mdr.2001.0019

Conrad's Adaptation: Theatricality and Cosmopolitanism

pp. 318-336 | DOI: 10.1353/mdr.2001.0026

Clown Shows: Anti-Theatricalist Theatricalism in Four Twentieth-Century Plays

pp. 337-354 | DOI: 10.1353/mdr.2001.0033

Modernism and Anti-theatricality: An Afterword

pp. 355-361 | DOI: 10.1353/mdr.2001.0040


Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century ed. by Jo Bonney, and: Performance Artists Talking in the Eighties ed. by Linda Montano (review)

pp. 362-368 | DOI: 10.1353/mdr.2001.0002

Stanislavsky in Focus by Sharon M. Carnicke, and: Twentieth Century Actor Training ed. by Alison Hodge, and: Acting Emotions: Shaping Emotions on Stage by Elly A. Konijn, and: Method Acting Reconsidered: Theory, Practice, Future ed. by David Krasner, and: On Actors and Acting by Peter Thomson (review)

pp. 369-379 | DOI: 10.1353/mdr.2001.0009


pp. 380-381 | DOI: 10.1353/mdr.2001.0016

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