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Browse Book and Journal Content on Project MUSE

Volume 44, Number 1, Spring 2001

Table of Contents

Modern: Drama (defining the field), Part II

pp. 1-2 | DOI: 10.1353/mdr.2001.0021

Modern Drama/Modernity's Drama

pp. 3-15 | DOI: 10.1353/mdr.2001.0028

Samuel Beckett's Theatre: Life Journeys by Katharine Worth (review)

pp. 14-116 | DOI: 10.1353/mdr.2001.0008

Aesthetic Prejudice in Modern Drama

pp. 16-30 | DOI: 10.1353/mdr.2001.0035

Why Modern Plays Are Not Culture: Disciplinary Blind Spots

pp. 31-51 | DOI: 10.1353/mdr.2001.0042

Quo Vadis?: Theatre Studies at the Crossroads

pp. 52-71 | DOI: 10.1353/mdr.2001.0004

Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism

pp. 72-90 | DOI: 10.1353/mdr.2001.0011

Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop

pp. 91-102 | DOI: 10.1353/mdr.2001.0018


(Post)Colonial Stages: Critical and Creative Views on Drama, Theatre and Performance ed. by Helen Gilbert (review)

pp. 103-105 | DOI: 10.1353/mdr.2001.0025

Establishing Our Boundaries: English-Canadian Theatre Criticism ed. by Anton Wagner (review)

pp. 105-109 | DOI: 10.1353/mdr.2001.0032

The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies by Ric Knowles (review)

pp. 109-112 | DOI: 10.1353/mdr.2001.0039

The Politics of Irish Drama: Plays in Context from Boucicault to Friel by Nicholas Grene (review)

pp. 112-114 | DOI: 10.1353/mdr.2001.0001

Eastern European Theater after the Iron Curtain ed. by Kalina Stefanova (review)

pp. 116-118 | DOI: 10.1353/mdr.2001.0015

A History of the Russian Theatre ed. by Robert Leach and Victor Borovsky (review)

pp. 118-120 | DOI: 10.1353/mdr.2001.0023

Understanding Chekhov: A Critical Study of Chekhov's Prose and Drama by Donald Rayfield (review)

pp. 120-122 | DOI: 10.1353/mdr.2001.0030

Performing Chekhov by David Allen (review)

pp. 122-124 | DOI: 10.1353/mdr.2001.0037

Spectacular Suffering: Theatre, Fascism and the Holocaust by Vivian M. Patraka (review)

pp. 124-126 | DOI: 10.1353/mdr.2001.0044

Embodied Memory: The Theatre of George Tabori by Anat Feinberg (review)

pp. 126-129 | DOI: 10.1353/mdr.2001.0006


pp. 130-131 | DOI: 10.1353/mdr.2001.0013

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