+ MUSE Alert

In this Issue

Table of Contents

  1. Modern: Drama (defining the field), Part II
  2. Joanne Tompkins
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/mdr.2001.0021
  5. restricted access
  1. Modern Drama/Modernity's Drama
  2. Elin Diamond
  3. pp. 3-15
  4. DOI: https://doi.org/10.1353/mdr.2001.0028
  5. restricted access
  1. Samuel Beckett's Theatre: Life Journeys by Katharine Worth (review)
  2. Lois Oppenheim
  3. pp. 14-116
  4. DOI: https://doi.org/10.1353/mdr.2001.0008
  5. restricted access
  1. Aesthetic Prejudice in Modern Drama
  2. Michael J. Sidnell
  3. pp. 16-30
  4. DOI: https://doi.org/10.1353/mdr.2001.0035
  5. restricted access
  1. Why Modern Plays Are Not Culture: Disciplinary Blind Spots
  2. Shannon Jackson
  3. pp. 31-51
  4. DOI: https://doi.org/10.1353/mdr.2001.0042
  5. restricted access
  1. Quo Vadis?: Theatre Studies at the Crossroads
  2. Erika Fischer-Lichte
  3. pp. 52-71
  4. DOI: https://doi.org/10.1353/mdr.2001.0004
  5. restricted access
  1. Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism
  2. Josephine Lee
  3. pp. 72-90
  4. DOI: https://doi.org/10.1353/mdr.2001.0011
  5. restricted access
  1. Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop
  2. Alan Filewod
  3. pp. 91-102
  4. DOI: https://doi.org/10.1353/mdr.2001.0018
  5. restricted access
  1. (Post)Colonial Stages: Critical and Creative Views on Drama, Theatre and Performance ed. by Helen Gilbert (review)
  2. Brian Crow
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/mdr.2001.0025
  5. restricted access
  1. Establishing Our Boundaries: English-Canadian Theatre Criticism ed. by Anton Wagner (review)
  2. James Dugan
  3. pp. 105-109
  4. DOI: https://doi.org/10.1353/mdr.2001.0032
  5. restricted access
  1. The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies by Ric Knowles (review)
  2. Reid Gilbert
  3. pp. 109-112
  4. DOI: https://doi.org/10.1353/mdr.2001.0039
  5. restricted access
  1. The Politics of Irish Drama: Plays in Context from Boucicault to Friel by Nicholas Grene (review)
  2. Nick Worrall
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/mdr.2001.0001
  5. restricted access
  1. Eastern European Theater after the Iron Curtain ed. by Kalina Stefanova (review)
  2. Michal Kobialka
  3. pp. 116-118
  4. DOI: https://doi.org/10.1353/mdr.2001.0015
  5. restricted access
  1. A History of the Russian Theatre ed. by Robert Leach and Victor Borovsky (review)
  2. Donald Rayfteld
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/mdr.2001.0023
  5. restricted access
  1. Understanding Chekhov: A Critical Study of Chekhov's Prose and Drama by Donald Rayfield (review)
  2. Felicia Hardison Londré
  3. pp. 120-122
  4. DOI: https://doi.org/10.1353/mdr.2001.0030
  5. restricted access
  1. Performing Chekhov by David Allen (review)
  2. Laurence Senelick
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/mdr.2001.0037
  5. restricted access
  1. Spectacular Suffering: Theatre, Fascism and the Holocaust by Vivian M. Patraka (review)
  2. Mariela Stevenson
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/mdr.2001.0044
  5. restricted access
  1. Embodied Memory: The Theatre of George Tabori by Anat Feinberg (review)
  2. Edward Isser
  3. pp. 126-129
  4. DOI: https://doi.org/10.1353/mdr.2001.0006
  5. restricted access
  1. Contributors
  3. pp. 130-131
  4. DOI: https://doi.org/10.1353/mdr.2001.0013
  5. restricted access