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Volume 43, Number 2, Summer 2000

Table of Contents

The Question of Liz: Staging the Prisoner in Our Country's Good

pp. 147-156 | DOI: 10.1353/mdr.2000.0065

Tom Stoppard and the Invention of Biography

pp. 157-170 | DOI: 10.1353/mdr.2000.0024

Dancing at Lughnasa: Unexcused Absence

pp. 171-181 | DOI: 10.1353/mdr.2000.0014

Splitting Images: Samuel Beckett's Nacht und Träume

pp. 182-191 | DOI: 10.1353/mdr.2000.0062

Camusian Existentialism in Arthur Miller's After the Fall

pp. 192-203 | DOI: 10.1353/mdr.2000.0041

Black Cats and Green Trees: The Art of Maria Irene Fornes

pp. 204-215 | DOI: 10.1353/mdr.2000.0035

"So entirely unexpected": The Modernist Dramaturgy of Marjorie Pickthall's The Wood Carver's Wife

pp. 216-246 | DOI: 10.1353/mdr.2000.0016

Introduction: Remaking Modern Classics

pp. 248-251 | DOI: 10.1353/mdr.2000.0002

Lulu: pantomime in one act by FĂ©licien Champsaur

pp. 252-264 | DOI: 10.1353/mdr.2000.0027

Challenging Myth and Tradition: National/Cultural Identity and the Irish Theatrical Canon

pp. 265-275 | DOI: 10.1353/mdr.2000.0053

Deconstruction and Development of the Opera Carmen

pp. 276-287 | DOI: 10.1353/mdr.2000.0050

Suzuki Tadashi's "The Chekhov": Three Sisters, The Cherry Orchard, and Uncle Vania

pp. 288-299 | DOI: 10.1353/mdr.2000.0005

The Snark and the Orchard: A Polemical Afterword

pp. 300-310 | DOI: 10.1353/mdr.2000.0038


No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider ed. by Maurice Harmon (review)

pp. 311-312 | DOI: 10.1353/mdr.2000.0046

Studies in Strindberg by Michael Robinson (review)

pp. 312-313 | DOI: 10.1353/mdr.2000.0058

Tragedy and Comedy: A Systematic Study and a Critique of Hegel by Mark William Roche (review)

pp. 314-315 | DOI: 10.1353/mdr.2000.0069

Understanding August Wilson by Mary L. Bogumil, and: "I Ain't Sorry for Nothin' I Done": August Wilson's Process of Playwriting by Joan L. Herrington (review)

pp. 315-318 | DOI: 10.1353/mdr.2000.0010

Pirandello and His Muse: The Plays For Marta Abba by Daniela Bini (review)

pp. 318-320 | DOI: 10.1353/mdr.2000.0020

Edges of Loss: From Modern Drama to Postmodern Theory by Mark Pizzato (review)

pp. 320-322 | DOI: 10.1353/mdr.2000.0031


pp. 323-326 | DOI: 10.1353/mdr.2000.0006

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