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Volume 41, Number 1, Spring 1998

Table of Contents

From: Modern Drama

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Special Issue Translations

ALAN THOMAS and DAVlD BLOSTEIN

Articles

Introduction

pp. 1-6 | DOI: 10.1353/mdr.1998.0045

Twice Translated Texts: Beckett into English and Chaikin into Theater

pp. 7-18 | DOI: 10.1353/mdr.1998.0007

Variations on a Theme: Respecting Dario Fo

pp. 19-29 | DOI: 10.1353/mdr.1998.0029

Valle-Inclán: The Mirroring of the Esperpento

pp. 30-48 | DOI: 10.1353/mdr.1998.0050

Moscow Stations: From Novel to Play

pp. 49-59 | DOI: 10.1353/mdr.1998.0025

Molière in North America: Problems of Translation and Adaptation

pp. 60-76 | DOI: 10.1353/mdr.1998.0018

Northern Ireland: Our Troy? Recent Versions of Greek Tragedies by Irish Writers

pp. 77-89 | DOI: 10.1353/mdr.1998.0035

Silesian into Scots: Gerhart Hauptmann's The Weavers

pp. 90-104 | DOI: 10.1353/mdr.1998.0039

"Greeks bearing gifts": Athol Fugard's Orestes Project and the Politics of Experience

pp. 105-118 | DOI: 10.1353/mdr.1998.0014

Ebb and Flow: Ibsen's The Lady from the Sea and the Possibility of Feminine Discourse

pp. 119-133 | DOI: 10.1353/mdr.1998.0003

Elfriede Jelinek's Nora Project: Or What Happens When Nora Meets the Capitalists

pp. 134-145 | DOI: 10.1353/mdr.1998.0061

Sometimes More is Less: Fellini's Otto e mezzo to Kopit's Nine

pp. 146-156 | DOI: 10.1353/mdr.1998.0056

Book Reviews

Out of Inferno: Strindberg's Reawakening as an Artist by Harry G. Carlson (review)

pp. 157-160 | DOI: 10.1353/mdr.1998.0047

Stages of Annihilation: Theatrical Representations of the Holocaust by Edward R. Isser (review)

pp. 160-162 | DOI: 10.1353/mdr.1998.0058

Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism by Anne Fleche (review)

pp. 162-166 | DOI: 10.1353/mdr.1998.0000

Scottish Theatre Since the Seventies ed. by Randall Stevenson & Gavin Wallace (review)

pp. 167-168 | DOI: 10.1353/mdr.1998.0011

American Drama: The Bastard Art by Susan Harris Smith (review)

pp. 169-170 | DOI: 10.1353/mdr.1998.0022

Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage ed. by Nicole Boireau (review)

pp. 170-172 | DOI: 10.1353/mdr.1998.0033

Howard Barker's Theatre of Seduction by Charles Lamb (review)

pp. 172-175 | DOI: 10.1353/mdr.1998.0043

Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910 by David Krasner (review)

pp. 175-177 | DOI: 10.1353/mdr.1998.0054

The Theatre of Robert Wilson by Arthur Holmberg (review)

pp. 177-178 | DOI: 10.1353/mdr.1998.0065

Contributors

pp. 179-180 | DOI: 10.1353/mdr.1998.0036

Research Areas

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