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Table of Contents

  1. Strindberg's Unknown Comedy
  2. Daniel Davy
  3. pp. 305-324
  4. DOI: https://doi.org/10.1353/mdr.1997.0022
  5. restricted access
  1. Revisiting the Prozorovs
  2. Geraldine Cousin
  3. pp. 325-336
  4. DOI: https://doi.org/10.1353/mdr.1997.0005
  5. restricted access
  1. Misrepresentation and Miscegenation: Reading the Racialized Discourse of Tennessee Williams's A Streetcar Named Desire
  2. George W. Crandell
  3. pp. 337-346
  4. DOI: https://doi.org/10.1353/mdr.1997.0014
  5. restricted access
  1. Visions of the Sightless in Friel's Molly Sweeney and Synge's The Well of the Saints
  2. Carole-Anne Upton
  3. pp. 347-358
  4. DOI: https://doi.org/10.1353/mdr.1997.0001
  5. restricted access
  1. The Failed Words of Brian Friel
  2. David Krause
  3. pp. 359-373
  4. DOI: https://doi.org/10.1353/mdr.1997.0039
  5. restricted access
  1. A Prison of Object Relations: Adrienne Kennedy's Funnyhouse of a Negro
  2. Claudia Barnett
  3. pp. 374-384
  4. DOI: https://doi.org/10.1353/mdr.1997.0054
  5. restricted access
  1. God and the Owls: The Sacred and the Profane in Adrienne Kennedy's The Owl Answers
  2. Carla J. McDonough
  3. pp. 385-402
  4. DOI: https://doi.org/10.1353/mdr.1997.0050
  5. restricted access
  1. Brechtian Sexual Politics in the Plays of Howard Barker
  2. Desmond Gallant
  3. pp. 403-413
  4. DOI: https://doi.org/10.1353/mdr.1997.0030
  5. restricted access
  1. The Sense of an Ending: The Representation of Homosexuality in Brendan Behan's The Hostage
  2. Ann Marie Adams
  3. pp. 414-421
  4. DOI: https://doi.org/10.1353/mdr.1997.0034
  5. restricted access
  1. Vietnam Protest Theatre: The Television War on Stage by Nora M. Alter (review)
  2. Daniel-Raymond Nadon
  3. pp. 422-423
  4. DOI: https://doi.org/10.1353/mdr.1997.0017
  5. restricted access
  1. The Life and Work of Harold Pinter by Michael Billington (review)
  2. John F. Deeney
  3. pp. 423-425
  4. DOI: https://doi.org/10.1353/mdr.1997.0058
  5. restricted access
  1. The Edwardian Theatre: Essays on Performance and the Stage ed. by Michael R. Booth and Joel H. Kaplan (review)
  2. Richard Foulkes
  3. pp. 425-427
  4. DOI: https://doi.org/10.1353/mdr.1997.0008
  5. restricted access
  1. David Hare: Moral and Historical Perspectives by Finlay Donesky (review)
  2. Anne F. Nothof
  3. pp. 427-429
  4. DOI: https://doi.org/10.1353/mdr.1997.0025
  5. restricted access
  1. Franz Xaver Kroetz: The Construction of a Political Aesthetic by Michelle M. Mattson (review)
  2. Susan L. Cocalis
  3. pp. 429-430
  4. DOI: https://doi.org/10.1353/mdr.1997.0047
  5. restricted access
  1. Contributors
  3. pp. 431-432
  4. DOI: https://doi.org/10.1353/mdr.1997.0043
  5. restricted access