+ MUSE Alert

In this Issue

Table of Contents

  1. Stoppard's Arcadia: Research, Time, Loss
  2. Prapassaree Kramer, Jeffrey Kramer
  3. pp. 1-10
  4. DOI: https://doi.org/10.1353/mdr.1997.0055
  5. restricted access
  1. Coming Out in The Room: Joe Orton's Epigrammatic Re/Vision of Harold Pinter's Menace
  2. Francesca Coppa
  3. pp. 11-22
  4. DOI: https://doi.org/10.1353/mdr.1997.0044
  5. restricted access
  1. Nostalgic Rapture: Interpreting Moral Commitments in David Hare's Drama
  2. John J. Su
  3. pp. 23-37
  4. DOI: https://doi.org/10.1353/mdr.1997.0035
  5. restricted access
  1. What is a Birth Astride a Grave?: Ohio Impromptu as Zen Koan
  2. John L. Kundert-Gibbs
  3. pp. 38-56
  4. DOI: https://doi.org/10.1353/mdr.1997.0026
  5. restricted access
  1. Looking into Black Skulls: Amiri Baraka's Dutchman and the Psychology of Race
  2. George Piggford
  3. pp. 74-85
  4. DOI: https://doi.org/10.1353/mdr.1997.0010
  5. restricted access
  1. Some Defining Characteristics of Australian Aboriginal Drama
  2. Dennis Carroll
  3. pp. 100-110
  4. DOI: https://doi.org/10.1353/mdr.1997.0049
  5. restricted access
  1. Scenes of the Crime: Returning to the Past
  2. Christina Stachurski
  3. pp. 111-122
  4. DOI: https://doi.org/10.1353/mdr.1997.0038
  5. restricted access
  1. Anarchy and Resistance in Tristan Tzara's The Gas Heart
  2. Robert A. Varisco
  3. pp. 139-148
  4. DOI: https://doi.org/10.1353/mdr.1997.0021
  5. restricted access
  1. Three Tutorial Plays: The Lesson, The Prince of Naples and Oleanna
  2. Craig Stewart Walker
  3. pp. 149-162
  4. DOI: https://doi.org/10.1353/mdr.1997.0013
  5. restricted access
  1. Beckett Writing Beckett: The Author in the Autograph by H. Porter Abbott (review)
  2. Harry Vandervlist
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/mdr.1997.0004
  5. restricted access
  1. Shaw's People: Victoria to Churchill by Stanley Weintraub (review)
  2. J.L. Wisenthal
  3. pp. 165-166
  4. DOI: https://doi.org/10.1353/mdr.1997.0053
  5. restricted access
  1. The Death of Character: Perspective on Theater after Modernism by Elinor Fuchs (review)
  2. Philip Auslander
  3. pp. 166-169
  4. DOI: https://doi.org/10.1353/mdr.1997.0042
  5. restricted access
  1. Theatre and Change in South Africa ed. by Geoffrey V. Davis and Anne Fuchs (review)
  2. Anthony O'Brien
  3. pp. 174-175
  4. DOI: https://doi.org/10.1353/mdr.1997.0016
  5. restricted access
  1. Performing Brecht: Forty Years of British Performances by Margaret Eddershaw (review)
  2. David Krasner
  3. pp. 175-178
  4. DOI: https://doi.org/10.1353/mdr.1997.0007
  5. restricted access
  1. The Feminist Possibilities of Dramatic Realism by Patricia R. Schroeder (review)
  2. J. Ellen Gainor
  3. pp. 178-180
  4. DOI: https://doi.org/10.1353/mdr.1997.0057
  5. restricted access
  1. Contributors
  2. pp. 181-182
  3. DOI: https://doi.org/10.1353/mdr.1997.0046
  4. restricted access