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Table of Contents

  1. The House on the North Circular Road: Fragments from a Biography
  2. Gabriel Fallon
  3. pp. 223-233
  4. DOI: https://doi.org/10.1353/mdr.1961.0008
  5. restricted access
  1. The Sources and Themes of The Plough and the Stars
  2. W. A. Armstrong
  3. pp. 234-242
  4. DOI: https://doi.org/10.1353/mdr.1961.0015
  5. restricted access
  1. O'Casey's Dramatic Apprenticeship
  2. Robert Hogan
  3. pp. 243-253
  4. DOI: https://doi.org/10.1353/mdr.1961.0023
  5. restricted access
  1. Sean O'Casey and the Road to Expressionism
  2. Vincent C. De Baun
  3. pp. 254-259
  4. DOI: https://doi.org/10.1353/mdr.1961.0031
  5. restricted access
  1. O'Casey's Dramatic Symbolism
  2. Katharine J. Worth
  3. pp. 260-267
  4. DOI: https://doi.org/10.1353/mdr.1961.0038
  5. restricted access
  1. "The Rageous Ossean": Patron-Hero of Synge and O'Casey
  2. David Keause
  3. pp. 268-291
  4. DOI: https://doi.org/10.1353/mdr.1961.0045
  5. restricted access
  1. Synge and the Celtic Revival
  2. David H. Greene
  3. pp. 292-299
  4. DOI: https://doi.org/10.1353/mdr.1961.0006
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  1. A Player's Reflections on Playboy
  2. Cyril Cusack
  3. pp. 300-305
  4. DOI: https://doi.org/10.1353/mdr.1961.0013
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  1. Note
  2. p. 305
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  1. Synge's Last Play: "And a Story Will Be Told For Ever"
  2. Harold Orel
  3. pp. 306-313
  4. DOI: https://doi.org/10.1353/mdr.1961.0028
  5. restricted access
  1. The Making of the Playboy
  2. Patricia Meyer Spacks
  3. pp. 314-323
  4. DOI: https://doi.org/10.1353/mdr.1961.0035
  5. restricted access
  1. Sean O'Casey: A Biography and an Appraisal
  2. Denis Johnston
  3. pp. 324-328
  4. DOI: https://doi.org/10.1353/mdr.1961.0020
  5. restricted access
  1. Children's Theatre by Jed H. Davis and Mary Jane Watkins (review)
  2. Paul Kozelka
  3. p. 329
  4. DOI: https://doi.org/10.1353/mdr.1961.0042
  5. restricted access
  1. Dionysus in Paris: A Guide to Contemporary French Theater by Wallace Fowlie (review)
  2. Emile G. Mc Anany S.J.
  3. pp. 331-332
  4. DOI: https://doi.org/10.1353/mdr.1961.0010
  5. restricted access
  1. How to Become a Musical Critic by Bernard Shaw (review)
  2. Arthur H. Nethercot
  3. pp. 332-335
  4. DOI: https://doi.org/10.1353/mdr.1961.0017
  5. restricted access
  1. The Contributors
  2. p. 1
  3. restricted access
  1. Books Received
  2. p. 336
  3. DOI: https://doi.org/10.1353/mdr.1961.0025
  4. restricted access