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Volume 4, Number 1, Spring 1961

Table of Contents

The Contributors

p. 1

Experiment and Vision in Ionesco's Plays

pp. 3-19 | DOI: 10.1353/mdr.1961.0022

A Note on Perception and Communication in Beckett's Endgame

pp. 20-22 | DOI: 10.1353/mdr.1961.0030

The New Open-air Drama in France: Rediscovery and Renascence

pp. 23-30 | DOI: 10.1353/mdr.1961.0037

Translation and Adaptation in the Contemporary Drama

pp. 31-41 | DOI: 10.1353/mdr.1961.0044

The Theater of Albert Camus

pp. 42-53 | DOI: 10.1353/mdr.1961.0005

Maeterlinck and the Quest for a Mystic Tragedy of the Twentieth Century

pp. 54-59 | DOI: 10.1353/mdr.1961.0012

Benavente on Shakespearean Characters

pp. 60-62 | DOI: 10.1353/mdr.1961.0019

The Prelate and the Pachyderm: Rear Guard and Vanguard Drama in the French Theater

pp. 63-71 | DOI: 10.1353/mdr.1961.0027

The Vultures: Becque's Realistic Comedy of Manners

pp. 72-79 | DOI: 10.1353/mdr.1961.0034

Note

p. 79

The Stature of Arthur Schnitzler

pp. 80-91 | DOI: 10.1353/mdr.1961.0041

Recent Developments and Problems in the Study of German Expressionist Drama

pp. 92-96 | DOI: 10.1353/mdr.1961.0002

A Scene from an Unpublished Version of Frank Wedekind's Lulu-Tragedy

pp. 97-100 | DOI: 10.1353/mdr.1961.0009

Book Reviews

Gustav Adolf by August Strindberg (review)

pp. 101-102 | DOI: 10.1353/mdr.1961.0016

The Saga of the Folkungs. Engelbrekt by August Strindberg (review)

pp. 102-103 | DOI: 10.1353/mdr.1961.0024

A Theater in Your Head by Kenneth Thorpe Rowe (review)

pp. 103-105 | DOI: 10.1353/mdr.1961.0032

The First Five Lives of Annie Besant by Arthur H. Nethercot (review)

pp. 105-106 | DOI: 10.1353/mdr.1961.0039

Books Received

pp. 107-108 | DOI: 10.1353/mdr.1961.0000

Research Areas

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