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Volume 39, Number 4, Winter 1996

Table of Contents

Introduction

pp. 533-536 | DOI: 10.1353/mdr.1996.0048

Catching the Wind in a Net: The Shortcomings of Existing Methods for the Analysis of Performance

pp. 537-546 | DOI: 10.1353/mdr.1996.0080

Performing Writing: Inscribing Theatre

pp. 547-557 | DOI: 10.1353/mdr.1996.0095

The Actor's Medium: On Stage and in Film

pp. 558-565 | DOI: 10.1353/mdr.1996.0015

With(holding) the Knife: Representing the Unrepresentable (Wo)man in Anna

pp. 566-573 | DOI: 10.1353/mdr.1996.0031

Theatre as Social Science: A Comparative Study of Eugenio Barba's Barter Performances and the 1992 Los Angeles Riots

pp. 574-584 | DOI: 10.1353/mdr.1996.0046

Towards an International Theatre

pp. 585-598 | DOI: 10.1353/mdr.1996.0061

Performing the Self

pp. 599-608 | DOI: 10.1353/mdr.1996.0075

Performing Race: Anna Deavere Smith's Fires in the Mirror

pp. 609-617 | DOI: 10.1353/mdr.1996.0090

Body Politic(s): the Actor as Mask in the Théâtre du Soleil's Les Atrides and La Ville Parjure

pp. 618-625 | DOI: 10.1353/mdr.1996.0009

The Lake of Seduction: Body, Acting, and Voice in Hélène Cixous's Portrait de Dora

pp. 626-649 | DOI: 10.1353/mdr.1996.0025

Georg Büchner's Dantons Tod: History and Her Story on the Stage

pp. 650-667 | DOI: 10.1353/mdr.1996.0040

Shifting Through Space-Time: A Chronotopic Analysis of Peter Sellars' Don Giovanni

pp. 668-679 | DOI: 10.1353/mdr.1996.0055

Blotting and the Line of Beauty: On Performances by Botho Strauss and Peter Handke

pp. 680-697 | DOI: 10.1353/mdr.1996.0069

What does Chaos Theory have to do with Art?

pp. 698-711 | DOI: 10.1353/mdr.1996.0084

Book Reviews

Imperialism and Theatre: Essays on World Theatre, Drama and Performance ed. by J. Ellen Gainor (review)

pp. 712-713 | DOI: 10.1353/mdr.1996.0003

Playwriting Women: Female Voices in English Canada by Cynthia Zimmerman (review)

pp. 713-715 | DOI: 10.1353/mdr.1996.0019

Feminist Theaters in the U.S.A.: Staging Women's Experience by Charlotte Canning (review)

pp. 715-717 | DOI: 10.1353/mdr.1996.0034

British Realist Theatre: The New Wave in Its Context, 1956-1965 by Stephen Lacey (review)

pp. 717-718 | DOI: 10.1353/mdr.1996.0049

Theater in Israel ed. by Linda Ben-Zvi (review)

pp. 718-720 | DOI: 10.1353/mdr.1996.0063

Conversations With (and About) Beckett by Mel Gussow (review)

pp. 720-721 | DOI: 10.1353/mdr.1996.0077

Beckett On and On ... ed. by Lois Oppenheim and Marius Buning (review)

pp. 721-722 | DOI: 10.1353/mdr.1996.0092

Peter Brook by Albert Hunt and Geoffrey Reeves (review)

pp. 722-724 | DOI: 10.1353/mdr.1996.0011

The Inner Strength of Opposites: O'Neill's Novelislic Drama and the Melodramatic Imagination by Kurt Eisen (review)

pp. 724-726 | DOI: 10.1353/mdr.1996.0027

Performing Nostalgia: Shifting Shakespeare and the Contemporary Past by Susan Bennett (review)

pp. 726-728 | DOI: 10.1353/mdr.1996.0042

Gendering Bodies/Performing Art: Dance and Literature in Early-Twentieth-Century British Culture by Amy Koritz (review)

pp. 728-729 | DOI: 10.1353/mdr.1996.0057

Contributors

pp. 730-732 | DOI: 10.1353/mdr.1996.0071

Contents of Volume XXXIX

pp. 733-739 | DOI: 10.1353/mdr.1996.0086

Research Areas

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