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Table of Contents

  1. John Gay, Bertolt Brecht, and Postcolonial Antinationalisms
  2. Aparna Dharwadker
  3. pp. 4-21
  4. DOI: https://doi.org/10.1353/mdr.1995.0044
  5. restricted access
  1. Homeless Words: Field Day and the Politics of Translation
  2. W.B. Worthen
  3. pp. 22-41
  4. DOI: https://doi.org/10.1353/mdr.1995.0005
  5. restricted access
  1. "Spectacular Resistance": Metatheatre in Post-Colonial Drama
  2. Joanne Tompkins
  3. pp. 42-51
  4. DOI: https://doi.org/10.1353/mdr.1995.0012
  5. restricted access
  1. Theatre and Caribbean Self-Definition
  2. Rawle Gibbons
  3. pp. 52-59
  4. DOI: https://doi.org/10.1353/mdr.1995.0019
  5. restricted access
  1. The Uses of Nostalgia: Drama, History, and Liminal Moments in South Africa
  2. Loren Kruger
  3. pp. 60-70
  4. DOI: https://doi.org/10.1353/mdr.1995.0026
  5. restricted access
  1. National Battles: Canadian Monumental Drama and the Investiture of History
  2. Alan Filewod
  3. pp. 71-86
  4. DOI: https://doi.org/10.1353/mdr.1995.0033
  5. restricted access
  1. When the Cutting Edge Cuts Both Ways: Contemporary Scottish Drama
  2. Tom Maguire
  3. pp. 87-96
  4. DOI: https://doi.org/10.1353/mdr.1995.0041
  5. restricted access
  1. Smashing Temples: Cultural Symptoms of the 1980s in Australian Mainstage Comedy and Farce
  2. Veronica Kelly
  3. pp. 97-108
  4. DOI: https://doi.org/10.1353/mdr.1995.0001
  5. restricted access
  1. Reconstruction of Legend in Contemporary Panjabi Drama in India
  2. Pankaj K. Singh
  3. pp. 109-122
  4. DOI: https://doi.org/10.1353/mdr.1995.0009
  5. restricted access
  1. Post-, "Grapes," Nuts and Flakes: "Coach's Corner" as Post-Colonial Performance
  2. Richard Paul Knowles
  3. pp. 123-130
  4. DOI: https://doi.org/10.1353/mdr.1995.0016
  5. restricted access
  1. The Plays of Caryl Churchill by Amelia Howe Kritzer (review)
  2. John M. Clum
  3. pp. 131-132
  4. DOI: https://doi.org/10.1353/mdr.1995.0023
  5. restricted access
  1. Joyce, O'Casey, and the Irish Popular Theater by Stephen Watt (review)
  2. Lionel Pilkington
  3. pp. 132-133
  4. DOI: https://doi.org/10.1353/mdr.1995.0030
  5. restricted access
  1. British Theatre in the 1890s: Essays on Drama and the Stage ed. by Richard Foulkes (review)
  2. Alan Hughes
  3. pp. 134-135
  4. DOI: https://doi.org/10.1353/mdr.1995.0038
  5. restricted access
  1. Confronting Tennessee Williams' "A Streetcar Named Desire": Essays in Critical Pluralism ed. by Philip C. Kolin (review)
  2. Brian Parker
  3. pp. 135-138
  4. DOI: https://doi.org/10.1353/mdr.1995.0046
  5. restricted access
  1. Communists, Cowboys, and Queers: The Politics of Masculinity in the Work of Arthur Miller and Tennessee Williams by David Savran (review)
  2. John S. Bak
  3. pp. 138-140
  4. DOI: https://doi.org/10.1353/mdr.1995.0007
  5. restricted access
  1. The Rites of Passage of Jean Genet: The Art and Aesthetics of Risk Taking by Gene A. Plunka (review)
  2. Peter Norrish
  3. pp. 140-141
  4. DOI: https://doi.org/10.1353/mdr.1995.0014
  5. restricted access
  1. Partnership in the German Theatre: Zuckmayer and Hilpert, 1925-1961 by William Grange (review)
  2. David Krasner
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/mdr.1995.0021
  5. restricted access
  1. Peter Handke by Richard Arthur Firda (review)
  2. Jeanette R. Malkin
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/mdr.1995.0028
  5. restricted access
  1. Introduction
  2. Ann Wilson
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/mdr.1995.0036
  5. restricted access
  1. Contributors
  3. pp. 145-146
  4. DOI: https://doi.org/10.1353/mdr.1995.0035
  5. restricted access