We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 38, Number 1, Spring 1995

Table of Contents


pp. 1-3 | DOI: 10.1353/mdr.1995.0036

John Gay, Bertolt Brecht, and Postcolonial Antinationalisms

pp. 4-21 | DOI: 10.1353/mdr.1995.0044

Homeless Words: Field Day and the Politics of Translation

pp. 22-41 | DOI: 10.1353/mdr.1995.0005

"Spectacular Resistance": Metatheatre in Post-Colonial Drama

pp. 42-51 | DOI: 10.1353/mdr.1995.0012

Theatre and Caribbean Self-Definition

pp. 52-59 | DOI: 10.1353/mdr.1995.0019

The Uses of Nostalgia: Drama, History, and Liminal Moments in South Africa

pp. 60-70 | DOI: 10.1353/mdr.1995.0026

National Battles: Canadian Monumental Drama and the Investiture of History

pp. 71-86 | DOI: 10.1353/mdr.1995.0033

When the Cutting Edge Cuts Both Ways: Contemporary Scottish Drama

pp. 87-96 | DOI: 10.1353/mdr.1995.0041

Smashing Temples: Cultural Symptoms of the 1980s in Australian Mainstage Comedy and Farce

pp. 97-108 | DOI: 10.1353/mdr.1995.0001

Reconstruction of Legend in Contemporary Panjabi Drama in India

pp. 109-122 | DOI: 10.1353/mdr.1995.0009

Post-, "Grapes," Nuts and Flakes: "Coach's Corner" as Post-Colonial Performance

pp. 123-130 | DOI: 10.1353/mdr.1995.0016

Book Reviews

The Plays of Caryl Churchill by Amelia Howe Kritzer (review)

pp. 131-132 | DOI: 10.1353/mdr.1995.0023

Joyce, O'Casey, and the Irish Popular Theater by Stephen Watt (review)

pp. 132-133 | DOI: 10.1353/mdr.1995.0030

British Theatre in the 1890s: Essays on Drama and the Stage ed. by Richard Foulkes (review)

pp. 134-135 | DOI: 10.1353/mdr.1995.0038

Confronting Tennessee Williams' "A Streetcar Named Desire": Essays in Critical Pluralism ed. by Philip C. Kolin (review)

pp. 135-138 | DOI: 10.1353/mdr.1995.0046

Communists, Cowboys, and Queers: The Politics of Masculinity in the Work of Arthur Miller and Tennessee Williams by David Savran (review)

pp. 138-140 | DOI: 10.1353/mdr.1995.0007

The Rites of Passage of Jean Genet: The Art and Aesthetics of Risk Taking by Gene A. Plunka (review)

pp. 140-141 | DOI: 10.1353/mdr.1995.0014

Partnership in the German Theatre: Zuckmayer and Hilpert, 1925-1961 by William Grange (review)

pp. 141-143 | DOI: 10.1353/mdr.1995.0021

Peter Handke by Richard Arthur Firda (review)

pp. 143-144 | DOI: 10.1353/mdr.1995.0028


pp. 145-146 | DOI: 10.1353/mdr.1995.0035

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access