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Browse Book and Journal Content on Project MUSE

Volume 37, Number 4, Winter 1994

Table of Contents

North and South: Two Landscapes of Alan Bennett

pp. 551-567 | DOI: 10.1353/mdr.1994.0037

Supranational Civics: Poverty and the Politics of Representation in Brian Friel's The Freedom of the City

pp. 568-587 | DOI: 10.1353/mdr.1994.0045

"I Am Cast as a Monster": Shelley's Frankenstein and the Haunting of Howard Brenton's Bloody Poetry

pp. 588-602 | DOI: 10.1353/mdr.1994.0053

American Clocks: Sam Shepard's Time Plays

pp. 603-612 | DOI: 10.1353/mdr.1994.0060

Russian Dramatist Mikhail Kuzmin and the Sexual Ambiguity of the Commedia Mask

pp. 613-625 | DOI: 10.1353/mdr.1994.0023

Blind Process: Maeterlinck's The Sightless

pp. 626-637 | DOI: 10.1353/mdr.1994.0029

Comparative Perspectives on Gender and Comedy: The Examples of Wilde, Hofmannsthal, and Ebner-Eschenbach

pp. 638-650 | DOI: 10.1353/mdr.1994.0035

The Dangerous Seductions of the Past: Ibsen's Counter-Discourse to Modernity

pp. 651-664 | DOI: 10.1353/mdr.1994.0042

The Cycle Returns: Brian Johnston's Ibsen Cycle

pp. 665-680 | DOI: 10.1353/mdr.1994.0050

Book Reviews

Approaches to Teaching Beckett's "Waiting for Godot" ed. by June Schlueter and Enoch Brater (review)

pp. 681-682 | DOI: 10.1353/mdr.1994.0056

Shaw's Daughters: Dramatic and Narrative Constructions of Gender by J. Ellen Gainor (review)

pp. 682-683 | DOI: 10.1353/mdr.1994.0019

Shaw and Politics, Vol. 11 of Shaw: The Annual of Shaw Studies ed. by T.F. Evans (review)

pp. 683-685 | DOI: 10.1353/mdr.1994.0025

The Playwrighting Self of Bernard Shaw by John A. Bertolini (review)

pp. 685-686 | DOI: 10.1353/mdr.1994.0031

How to Play: The Theatre of James Reaney by Gerald D. Parker (review)

pp. 687-688 | DOI: 10.1353/mdr.1994.0038


pp. 689-690 | DOI: 10.1353/mdr.1994.0046

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