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Volume 37, Number 1, Spring 1994

Table of Contents

Introduction

pp. 1-2 | DOI: 10.1353/mdr.1994.0011

Oscar Wilde: A "Writerly" Life

pp. 3-11 | DOI: 10.1353/mdr.1994.0014

Wilde in Arden, or the Masks of Truth

pp. 12-33 | DOI: 10.1353/mdr.1994.0000

"Effeminacy" and "Femininity" Sexual Politics in Wilde's Comedies

pp. 34-52 | DOI: 10.1353/mdr.1994.0003

Dowdies and Dandies: Oscar Wilde's Refashioning of Society Comedy

pp. 53-70 | DOI: 10.1353/mdr.1994.0006

Aesthetics and Economics in A Florentine Tragedy

pp. 71-83 | DOI: 10.1353/mdr.1994.0008

Salome and the Wildean Art of Symbolist Theatre

pp. 84-103 | DOI: 10.1353/mdr.1994.0010

Realism and Symbolism in Oscar Wilde's Salomé

pp. 104-119 | DOI: 10.1353/mdr.1994.0013

Oscar Wilde, Social Purity, and An Ideal Husband

pp. 120-138 | DOI: 10.1353/mdr.1994.0016

The Origins of The Importance of Being Earnest

pp. 139-147 | DOI: 10.1353/mdr.1994.0002

Narcissistic Reflections in a Wilde Mirror

pp. 148-155 | DOI: 10.1353/mdr.1994.0005

Wilde Interpretations

pp. 156-174 | DOI: 10.1353/mdr.1994.0007

Wilde Designs: Some Thoughts about Recent British Productions of His Plays

pp. 175-191 | DOI: 10.1353/mdr.1994.0009

Staging Wilde's Society Plays: A Conversation with Philip Prowse (Glasgow Citizens Theatre)

pp. 192-205 | DOI: 10.1353/mdr.1994.0012

Wilde, Shaw, and the Play of Conversation

pp. 206-219 | DOI: 10.1353/mdr.1994.0015

Oscar Wilde, Elizabeth Robins, and the Theatre of the Future

pp. 220-237 | DOI: 10.1353/mdr.1994.0001

Contributors

pp. 238-241 | DOI: 10.1353/mdr.1994.0004

Research Areas

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