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Browse Book and Journal Content on Project MUSE

Volume 35, Number 4, Winter 1992

Table of Contents


An Author in Search of Characters: Pirandello and Commedia dell'arte

pp. 495-512 | DOI: 10.1353/mdr.1992.0024

The Structure of Illusion in Genet's The Balcony

pp. 513-519 | DOI: 10.1353/mdr.1992.0028

Journeys from Frustration to Empowerment: Cat on a Hot Tin Roof and its Debt to García Lorca's Yerma

pp. 520-529 | DOI: 10.1353/mdr.1992.0044

Weeping in the Night: Reading Beyond Language in The Caucasian Chalk Circle

pp. 530-537 | DOI: 10.1353/mdr.1992.0011

Ionesco's Berenger: Existential Philosopher or Philosophical Ironist?

pp. 538-551 | DOI: 10.1353/mdr.1992.0020

A "Dramatic Extravaganza" of the Projected Atomic Age: Wings Over Europe (1928)

pp. 552-561 | DOI: 10.1353/mdr.1992.0005

Being and Non-Being: The Other and Heterotopia in Hamletmachine

pp. 562-570 | DOI: 10.1353/mdr.1992.0015

The Communal Dream of Myth: David Rudkin's The Triumph of Death

pp. 571-584 | DOI: 10.1353/mdr.1992.0053

Cruelty and Affirmation in the Postmodern Theater: Antonin Artaud and Hanoch Levin

pp. 585-606 | DOI: 10.1353/mdr.1992.0052

A catch in the breath: Language and Consciousness in Samuel Beckett's ...but the clouds...

pp. 607-616 | DOI: 10.1353/mdr.1992.0049

Book Reviews

The Irish Beckett by John P. Harrington (review)

pp. 617-618 | DOI: 10.1353/mdr.1992.0006

Pinter in Play by Susan Hollis Merritt, and: Harold Pinter: A Casebook ed. by Lois Gordon (review)

pp. 619-620 | DOI: 10.1353/mdr.1992.0032

André Antoine by Jean Chothia (review)

pp. 621-622 | DOI: 10.1353/mdr.1992.0002

Theatre in the Victorian Age by Michael R. Booth (review)

pp. 622-624 | DOI: 10.1353/mdr.1992.0036


pp. 625-626 | DOI: 10.1353/mdr.1992.0043

Contents of Volume XXXV

pp. 627-632 | DOI: 10.1353/mdr.1992.0040

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