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Table of Contents

  1. An Author in Search of Characters: Pirandello and Commedia dell'arte
  2. James Fisher
  3. pp. 495-512
  4. DOI: https://doi.org/10.1353/mdr.1992.0024
  5. restricted access
  1. The Structure of Illusion in Genet's The Balcony
  2. Carol Rosen
  3. pp. 513-519
  4. DOI: https://doi.org/10.1353/mdr.1992.0028
  5. restricted access
  1. Weeping in the Night: Reading Beyond Language in The Caucasian Chalk Circle
  2. Lauren D. McKinney
  3. pp. 530-537
  4. DOI: https://doi.org/10.1353/mdr.1992.0011
  5. restricted access
  1. Ionesco's Berenger: Existential Philosopher or Philosophical Ironist?
  2. Patricia Rigg
  3. pp. 538-551
  4. DOI: https://doi.org/10.1353/mdr.1992.0020
  5. restricted access
  1. A "Dramatic Extravaganza" of the Projected Atomic Age: Wings Over Europe (1928)
  2. Charles A. Carpenter
  3. pp. 552-561
  4. DOI: https://doi.org/10.1353/mdr.1992.0005
  5. restricted access
  1. Being and Non-Being: The Other and Heterotopia in Hamletmachine
  2. Joseph M. Dudley
  3. pp. 562-570
  4. DOI: https://doi.org/10.1353/mdr.1992.0015
  5. restricted access
  1. The Communal Dream of Myth: David Rudkin's The Triumph of Death
  2. Robert Wilcher
  3. pp. 571-584
  4. DOI: https://doi.org/10.1353/mdr.1992.0053
  5. restricted access
  1. Cruelty and Affirmation in the Postmodern Theater: Antonin Artaud and Hanoch Levin
  2. Erella Brown
  3. pp. 585-606
  4. DOI: https://doi.org/10.1353/mdr.1992.0052
  5. restricted access
  1. A catch in the breath: Language and Consciousness in Samuel Beckett's ...but the clouds...
  2. Richard Bruce Kirkley
  3. pp. 607-616
  4. DOI: https://doi.org/10.1353/mdr.1992.0049
  5. restricted access
  1. The Irish Beckett by John P. Harrington (review)
  2. Katharine Worth
  3. pp. 617-618
  4. DOI: https://doi.org/10.1353/mdr.1992.0006
  5. restricted access
  1. Pinter in Play by Susan Hollis Merritt, and: Harold Pinter: A Casebook ed. by Lois Gordon (review)
  2. R. A. Foakes
  3. pp. 619-620
  4. DOI: https://doi.org/10.1353/mdr.1992.0032
  5. restricted access
  1. André Antoine by Jean Chothia (review)
  2. Samuel L. Leiter
  3. pp. 621-622
  4. DOI: https://doi.org/10.1353/mdr.1992.0002
  5. restricted access
  1. Theatre in the Victorian Age by Michael R. Booth (review)
  2. Denis Salter
  3. pp. 622-624
  4. DOI: https://doi.org/10.1353/mdr.1992.0036
  5. restricted access
  1. Contributors
  2. pp. 625-626
  3. DOI: https://doi.org/10.1353/mdr.1992.0043
  4. restricted access
  1. Contents of Volume XXXV
  2. pp. 627-632
  3. DOI: https://doi.org/10.1353/mdr.1992.0040
  4. restricted access