We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 34, Number 1, Spring 1991

Table of Contents

Special Issue Drama and the Novel


A Novelist Finds the Bare Bones of a Play

pp. 1-4 | DOI: 10.1353/mdr.1991.0065

Reading as Theatre: Understanding Defamiliarization in Beckett's Art

pp. 5-22 | DOI: 10.1353/mdr.1991.0053

Our Country's Good: Theatre, Colony and Nation in Wertenbaker's Adaptation of The Playmaker

pp. 23-34 | DOI: 10.1353/mdr.1991.0061

"What's It Going To Be Then, Eh?": The Stage Odyssey of Anthony Burgess's A Clockwork Orange

pp. 35-48 | DOI: 10.1353/mdr.1991.0001

O'Neill the "Novelist"

pp. 49-58 | DOI: 10.1353/mdr.1991.0064

"The Writing on the Wall": Novelization and the Critique of History in The Iceman Cometh

pp. 59-73 | DOI: 10.1353/mdr.1991.0039

Gone Fission: The Holocaustic Wit of Don DeLillo

pp. 74-87 | DOI: 10.1353/mdr.1991.0003

Drama and the Dialogic Imagination: The Heidi Chronicles and Fefu and Her Friends

pp. 88-106 | DOI: 10.1353/mdr.1991.0011

Modern Theatre and Melville's Moby-Dick: Writing and Sounding the Whale

pp. 107-117 | DOI: 10.1353/mdr.1991.0022

Nathalie Sarraute: How To Do Mean Things With Words

pp. 118-127 | DOI: 10.1353/mdr.1991.0054

Staging Writing or the Ceremony of Text in Marguerite Duras

pp. 128-137 | DOI: 10.1353/mdr.1991.0018

Sicilian Themes and the Restructured Stage: The Dialectic of Fiction and Drama in the Work of Luigi Pirandello

pp. 138-147 | DOI: 10.1353/mdr.1991.0007

Book Reviews

Ibsen's Forsaken Merman: Folklore in the Late Plays by Per Schelde Jacobsen and Barbara Fass Leavy (review)

pp. 148-151 | DOI: 10.1353/mdr.1991.0033

Radical People's Theatre by Eugène van Erven (review)

pp. 151-153 | DOI: 10.1353/mdr.1991.0049

American Playwrights Since 1945: A Guide to Scholarship, Criticism, and Performance ed. by Philip C. Kolin (review)

pp. 153-154 | DOI: 10.1353/mdr.1991.0029

Samuel Beckett by Andrew K. Kennedy (review)

pp. 154-156 | DOI: 10.1353/mdr.1991.0050

Bulgakov's Last Decade: The Writer as Hero by J.A.E. Curtis (review)

pp. 156-158 | DOI: 10.1353/mdr.1991.0059

Contemporary Polish Theater and Drama (1956-1984) by E.J. Czerwinski (review)

pp. 158-159 | DOI: 10.1353/mdr.1991.0006

Theatre as Weapon: Worker's Theatre in the Soviet Union, Germany and Britain, 1917-1934 by Richard Stourac and Kathleen McCreery (review)

pp. 160-162 | DOI: 10.1353/mdr.1991.0040

Louis Nowra ed. by Veronica Kelly, and: Patrick White by May-Brit Akerholt, and: Jack Hibberd by Paul McGillick, and: David Williamson ed. by Otrun Zuber-Skerritt (review)

pp. 163-167 | DOI: 10.1353/mdr.1991.0028


pp. 168-169 | DOI: 10.1353/mdr.1991.0017

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access