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Table of Contents

  1. The Role of Ariane Mnouchkine at the Théâtre du Soleil
  2. Adrian Kiernander
  3. pp. 322-332
  4. DOI: https://doi.org/10.1353/mdr.1990.0033
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  1. David Mamet and Ben Jonson: City Comedy Past and Present
  2. Douglas Bruster
  3. pp. 333-346
  4. DOI: https://doi.org/10.1353/mdr.1990.0043
  5. restricted access
  1. A Serious City Comedy: Fe-/Male History and Value Judgments in Caryl Churchill's Serious Money
  2. Klaus Peter Müller
  3. pp. 347-362
  4. DOI: https://doi.org/10.1353/mdr.1990.0045
  5. restricted access
  1. "Think what you are saying": Verbal Politics in the Early Plays Of Handke and Kroetz
  2. Jeanette R. Malkin
  3. pp. 363-379
  4. DOI: https://doi.org/10.1353/mdr.1990.0039
  5. restricted access
  1. Tom Stoppard Journalist: through the Stage Door
  2. Katherine E. Kelly
  3. pp. 380-393
  4. DOI: https://doi.org/10.1353/mdr.1990.0027
  5. restricted access
  1. "Coming Down in the World": Motifs of Benign Descent in Three Plays by Terence Rattigan
  2. Robert F. Gross
  3. pp. 394-408
  4. DOI: https://doi.org/10.1353/mdr.1990.0041
  5. restricted access
  1. At the End of The Great Radical Tradition?: Recent Plays by Howard Brenton
  2. Susan Bennett
  3. pp. 409-418
  4. DOI: https://doi.org/10.1353/mdr.1990.0037
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  1. The Essential Continuity of Sean O'Casey
  2. Christopher Innes
  3. pp. 419-433
  4. DOI: https://doi.org/10.1353/mdr.1990.0022
  5. restricted access
  1. Marriage, Metaphysics and The Lady from the Sea Problem
  2. Elinor Fuchs
  3. pp. 434-444
  4. DOI: https://doi.org/10.1353/mdr.1990.0035
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  1. Staging O'Neill: The Experimental Years, 1920-1934 by Ronald H. Wainscott (review)
  2. Michael Hinden
  3. pp. 447-448
  4. DOI: https://doi.org/10.1353/mdr.1990.0052
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  1. Contributors
  2. pp. 453-454
  3. DOI: https://doi.org/10.1353/mdr.1990.0019
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