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Browse Book and Journal Content on Project MUSE

Volume 33, Number 3, Fall 1990

Table of Contents


"More than Just a Little Chekhovian": The Sea Gull as a Source for the Characters in The Glass Menagerie

pp. 313-321 | DOI: 10.1353/mdr.1990.0047

The Role of Ariane Mnouchkine at the Théâtre du Soleil

pp. 322-332 | DOI: 10.1353/mdr.1990.0033

David Mamet and Ben Jonson: City Comedy Past and Present

pp. 333-346 | DOI: 10.1353/mdr.1990.0043

A Serious City Comedy: Fe-/Male History and Value Judgments in Caryl Churchill's Serious Money

pp. 347-362 | DOI: 10.1353/mdr.1990.0045

"Think what you are saying": Verbal Politics in the Early Plays Of Handke and Kroetz

pp. 363-379 | DOI: 10.1353/mdr.1990.0039

Tom Stoppard Journalist: through the Stage Door

pp. 380-393 | DOI: 10.1353/mdr.1990.0027

"Coming Down in the World": Motifs of Benign Descent in Three Plays by Terence Rattigan

pp. 394-408 | DOI: 10.1353/mdr.1990.0041

At the End of The Great Radical Tradition?: Recent Plays by Howard Brenton

pp. 409-418 | DOI: 10.1353/mdr.1990.0037

The Essential Continuity of Sean O'Casey

pp. 419-433 | DOI: 10.1353/mdr.1990.0022

Marriage, Metaphysics and The Lady from the Sea Problem

pp. 434-444 | DOI: 10.1353/mdr.1990.0035

Book Reviews

Russian Drama of the Revolutionary Period by Robert Russell, and: Russian and Soviet Theater, 1905-1932 by Konstantin Rudnitsky (review)

pp. 445-447 | DOI: 10.1353/mdr.1990.0029

Staging O'Neill: The Experimental Years, 1920-1934 by Ronald H. Wainscott (review)

pp. 447-448 | DOI: 10.1353/mdr.1990.0052

The Banished Prince: Time, Memory, and Ritual in the Late Plays of Eugene O'Neill by Laurin Porter (review)

pp. 449-450 | DOI: 10.1353/mdr.1990.0049

The Contemporary Spanish Theater: A Collection of Critical Essays ed. by Martha T. Halsey and Phyllis Zatlin (review)

pp. 450-452 | DOI: 10.1353/mdr.1990.0024


pp. 453-454 | DOI: 10.1353/mdr.1990.0019

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