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Table of Contents

  1. Granville Barker and Galsworthy: Questions of Censorship
  2. Christopher Innes
  3. pp. 331-344
  4. DOI: https://doi.org/10.1353/mdr.1989.0037
  5. restricted access
  1. Eluding the Censor: From Script to Improvisation in Patética
  2. Vicky Unruh
  3. pp. 345-355
  4. DOI: https://doi.org/10.1353/mdr.1989.0030
  5. restricted access
  1. Ireneusz Iredyński's Drama of Exposure
  2. Marc Robinson
  3. pp. 356-373
  4. DOI: https://doi.org/10.1353/mdr.1989.0023
  5. restricted access
  1. The Dramaturgy of the Other: Diegetic Patterns in Synge's The Playboy of the Western World
  2. Una Chaudhuri
  3. pp. 374-386
  4. DOI: https://doi.org/10.1353/mdr.1989.0017
  5. restricted access
  1. Women Dancing: The Structure of Gender in Yeats's Early Plays for Dancers
  2. Amy Koritz
  3. pp. 387-400
  4. DOI: https://doi.org/10.1353/mdr.1989.0011
  5. restricted access
  1. The Voice of Absent Love in Krapp's Last Tape and Company
  2. Mary F. Catanzaro
  3. pp. 401-412
  4. DOI: https://doi.org/10.1353/mdr.1989.0005
  5. restricted access
  1. Anger and the Actor: Another Look Back
  2. Robert G. Egan
  3. pp. 413-424
  4. DOI: https://doi.org/10.1353/mdr.1989.0040
  5. restricted access
  1. Alan Ayckbourn's Liza Doolittle
  2. Bernard F. Dukore
  3. pp. 425-439
  4. DOI: https://doi.org/10.1353/mdr.1989.0033
  5. restricted access
  1. Tom Stoppard Radioactive: A Sounding of the Radio Plays
  2. Katherine E. Kelly
  3. pp. 440-452
  4. DOI: https://doi.org/10.1353/mdr.1989.0026
  5. restricted access
  1. American Realism and American Drama, 1880-1940 by Brenda Murphy (review)
  2. James Fisher
  3. pp. 453-454
  4. DOI: https://doi.org/10.1353/mdr.1989.0022
  5. restricted access
  1. Lillian Hellman: Her Legend and her Legacy by Carl Rollyson (review)
  2. Thomas P. Adler
  3. pp. 454-456
  4. DOI: https://doi.org/10.1353/mdr.1989.0020
  5. restricted access
  1. David Rabe: A Stage History and A Primary and Secondary Bibliography by Philip C. Kolin (review)
  2. Laura Morrow
  3. pp. 456-458
  4. DOI: https://doi.org/10.1353/mdr.1989.0014
  5. restricted access
  1. The Development of Black Theater in America: From Shadows to Selves by Leslie Catherine Sanders (review)
  2. Tim Youngs
  3. pp. 458-459
  4. DOI: https://doi.org/10.1353/mdr.1989.0008
  5. restricted access
  1. Harold Pinter: Critical Approaches ed. by Steven H. Gale, and: Harold Pinter: The Birthday Party, The Caretaker, The Homecoming. A Casebook ed. by Michael Scott (review)
  2. Susan Hollis Merkitt
  3. pp. 459-462
  4. DOI: https://doi.org/10.1353/mdr.1989.0001
  5. restricted access
  1. The Beckett Actor by Jordan R. Young (review)
  2. Rosette C. Lamont
  3. pp. 462-464
  4. DOI: https://doi.org/10.1353/mdr.1989.0036
  5. restricted access
  1. Performance by Julian Hilton (review)
  2. James Norwood
  3. pp. 464-466
  4. DOI: https://doi.org/10.1353/mdr.1989.0029
  5. restricted access
  1. Contributors
  3. pp. 467-468
  4. DOI: https://doi.org/10.1353/mdr.1989.0016
  5. restricted access