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Table of Contents

  1. The Theatre Breeds Comedy
  2. Andrew Kennedy
  3. pp. 473-478
  4. DOI: https://doi.org/10.1353/mdr.1988.0056
  5. restricted access
  1. J.M. Synge's Forms of Romance
  2. A.M. Gibbs
  3. pp. 479-494
  4. DOI: https://doi.org/10.1353/mdr.1988.0026
  5. restricted access
  1. Logician, Heal Thy Self: Poetry and Drama in Eliot's The Cocktail Party
  2. Michael Selmon
  3. pp. 495-511
  4. DOI: https://doi.org/10.1353/mdr.1988.0062
  5. restricted access
  1. Through a Cocktail Glass Darkly
  2. Lesley Chamberlain
  3. pp. 512-519
  4. DOI: https://doi.org/10.1353/mdr.1988.0060
  5. restricted access
  1. Samuel Beckett and the Postmodern: Language Games, Play and Waiting for Godot
  2. Jeffrey Nealon
  3. pp. 520-528
  4. DOI: https://doi.org/10.1353/mdr.1988.0052
  5. restricted access
  1. Adoption in Endgame
  2. Paul Lawley
  3. pp. 529-535
  4. DOI: https://doi.org/10.1353/mdr.1988.0013
  5. restricted access
  1. "Barbaric Laws, Barbaric Bonds": Arnold Wesker's The Merchant
  2. Iska Alter
  3. pp. 536-547
  4. DOI: https://doi.org/10.1353/mdr.1988.0040
  5. restricted access
  1. Digging up Buried Child
  2. Charles G. Whiting
  3. pp. 548-556
  4. DOI: https://doi.org/10.1353/mdr.1988.0009
  5. restricted access
  1. Dominance and Anguish: The Teacher-Student Relationship in the Plays of David Mamet
  2. Pascale Hubert-Leibler
  3. pp. 557-570
  4. DOI: https://doi.org/10.1353/mdr.1988.0046
  5. restricted access
  1. Images in the Interstice: The Phenomenal Theater of Robert Wilson
  2. Gordon S. Armstrong
  3. pp. 571-587
  4. DOI: https://doi.org/10.1353/mdr.1988.0050
  5. restricted access
  1. The Field of Drama: How the Signs of Drama Create Meaning on Stage and Screen by Martin Esslin (review)
  2. Karen Laughlin
  3. pp. 588-589
  4. DOI: https://doi.org/10.1353/mdr.1988.0003
  5. restricted access
  1. Ingmar Bergman: A Project for the Theatre ed. by Frederick J. Marker and Lise-Lone Marker (review)
  2. Charles Leland
  3. pp. 590-591
  4. DOI: https://doi.org/10.1353/mdr.1988.0022
  5. restricted access
  1. The Theatre of Tom Stoppard by Anthony Jenkins, and: Stoppard: The Playwright by Michael Billington (review)
  2. John Morris
  3. pp. 591-594
  4. DOI: https://doi.org/10.1353/mdr.1988.0042
  5. restricted access
  1. Spiel und Politik: Aspekte der Komik bei Tom Stoppard by Beate Neumeier (review)
  2. Michael Hays
  3. pp. 594-596
  4. DOI: https://doi.org/10.1353/mdr.1988.0036
  5. restricted access
  1. Noel Coward by Robert F. Kiernan, and: Noel Coward by Frances Gray (review)
  2. James Fisher
  3. pp. 596-598
  4. DOI: https://doi.org/10.1353/mdr.1988.0017
  5. restricted access
  1. The Chinese Conception of the Theatre by Hsu Tao-ching (review)
  2. Peter Lovrick
  3. pp. 598-601
  4. DOI: https://doi.org/10.1353/mdr.1988.0032
  5. restricted access
  1. Contributors
  3. pp. 602-603
  4. DOI: https://doi.org/10.1353/mdr.1988.0007
  5. restricted access