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Table of Contents

  1. A Problem of Translation: Structural Patterns in the Language of Ibsen's The Lady from the Sea
  2. Kay Unruh Des Roches
  3. pp. 311-326
  4. DOI: https://doi.org/10.1353/mdr.1987.0033
  5. restricted access
  1. Magical Subversions: The Master and Margarita in Performance
  2. Nicholas Rzhevsky
  3. pp. 327-339
  4. DOI: https://doi.org/10.1353/mdr.1987.0042
  5. restricted access
  1. Red Noses and Saint Joan
  2. Bernard F. Dukore
  3. pp. 340-351
  4. DOI: https://doi.org/10.1353/mdr.1987.0052
  5. restricted access
  1. At the Deathbed: Edward Albee's All Over
  2. Henry I. Schvey
  3. pp. 352-363
  4. DOI: https://doi.org/10.1353/mdr.1987.0000
  5. restricted access
  1. Norman's 'night, Mother: Psycho-drama of Female Identity
  2. Jenny S. Spencer
  3. pp. 364-375
  4. DOI: https://doi.org/10.1353/mdr.1987.0010
  5. restricted access
  1. De-realised Women: Performance and Identity in Top Girls
  2. Joseph Marohl
  3. pp. 376-388
  4. DOI: https://doi.org/10.1353/mdr.1987.0020
  5. restricted access
  1. Dramatic Strategy in Christina Reid's Tea in a China Cup
  2. Diderik Roll-Hansen
  3. pp. 389-395
  4. DOI: https://doi.org/10.1353/mdr.1987.0029
  5. restricted access
  1. Six Characters in Search of an Author and the Battle of the Lexis
  2. Mary Ann Frese Witt
  3. pp. 396-404
  4. DOI: https://doi.org/10.1353/mdr.1987.0038
  5. restricted access
  1. Machine and Magus in Pirandello's Tonight We Improvise
  2. Bettina Knapp
  3. pp. 405-413
  4. DOI: https://doi.org/10.1353/mdr.1987.0048
  5. restricted access
  1. The Carnival Motif in Pirandello's Drama
  2. Jana O'Keefe Bazzoni
  3. pp. 414-425
  4. DOI: https://doi.org/10.1353/mdr.1987.0059
  5. restricted access
  1. Dramatic Dialogue: The Duologue of Personal Encounter by Andrew K. Kennedy (review)
  2. Thomas R. Whitaker
  3. pp. 426-428
  4. DOI: https://doi.org/10.1353/mdr.1987.0007
  5. restricted access
  1. English Theatre in Transition: 1889-1914 by James Woodfield (review)
  2. Joel H. Kaplan
  3. pp. 428-430
  4. DOI: https://doi.org/10.1353/mdr.1987.0017
  5. restricted access
  1. Alfred Jarry and Guillaume Apollinaire by Claude Schumacher (review)
  2. John H. Reilly
  3. pp. 430-432
  4. DOI: https://doi.org/10.1353/mdr.1987.0027
  5. restricted access
  1. Brian Friel: The Growth of an Irish Dramatist by Ulf Dantanus (review)
  2. S.F. Gallagher
  3. pp. 434-435
  4. DOI: https://doi.org/10.1353/mdr.1987.0045
  5. restricted access
  1. Divided Ireland: Bifocal Vision in Modern Irish Drama by Ronald Gene Rollins (review)
  2. S.F. Gallagher
  3. pp. 435-437
  4. DOI: https://doi.org/10.1353/mdr.1987.0055
  5. restricted access
  1. Pinter's Comic Play by Elin Diamond (review)
  2. Volker Strunk
  3. pp. 437-439
  4. DOI: https://doi.org/10.1353/mdr.1987.0003
  5. restricted access
  1. Conversations with Lillian Hellman ed. by Jackson R. Bryer (review)
  2. Jacob H. Adler
  3. pp. 441-442
  4. DOI: https://doi.org/10.1353/mdr.1987.0023
  5. restricted access
  1. The Orton Diaries ed. by John Lahr (review)
  2. Albert E. Kalson
  3. pp. 442-444
  4. DOI: https://doi.org/10.1353/mdr.1987.0032
  5. restricted access
  1. Le feu sacré: Souvenirs d'une vie de théâtre by Youri Lioubimov (review)
  2. John Freedman
  3. pp. 444-446
  4. DOI: https://doi.org/10.1353/mdr.1987.0041
  5. restricted access
  1. David Mamet by C.W.E. Bigsby (review)
  2. Matthew C. Roudané
  3. pp. 446-447
  4. DOI: https://doi.org/10.1353/mdr.1987.0051
  5. restricted access
  1. Contributors
  2. pp. 448-449
  3. DOI: https://doi.org/10.1353/mdr.1987.0062
  4. restricted access