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Table of Contents

  1. A Letter from Paris
  2. Jacques Scherer, Leonard C. Pronko
  3. pp. 4-7
  4. DOI: https://doi.org/10.1353/mdr.1960.0036
  5. restricted access
  1. Strindberg and the Danse Macabre
  2. Walter Johnson
  3. pp. 8-15
  4. DOI: https://doi.org/10.1353/mdr.1960.0045
  5. restricted access
  1. The Divided Self in the Society Comedies of Oscar Wilde
  2. Arthur Ganz
  3. pp. 16-23
  4. DOI: https://doi.org/10.1353/mdr.1960.0054
  5. restricted access
  1. Perspectives of Modern Verse Drama
  2. Donna Gerstenberger
  3. pp. 24-29
  4. DOI: https://doi.org/10.1353/mdr.1960.0004
  5. restricted access
  1. Bjørnstjerne Bjørnson's Beyond Human Power and Kaj Munk's The Word
  2. Børge Gedsø Madsen
  3. pp. 30-36
  4. DOI: https://doi.org/10.1353/mdr.1960.0013
  5. restricted access
  1. Old History and New: Anachronism in Caesar and Cleopatra
  2. Otto Reinert
  3. pp. 37-41
  4. DOI: https://doi.org/10.1353/mdr.1960.0023
  5. restricted access
  1. Anderson's Winesburg and the Hedgerow Theatre
  2. John C. Wentz
  3. pp. 42-51
  4. DOI: https://doi.org/10.1353/mdr.1960.0032
  5. restricted access
  1. Eliot and Kierkegaard: "The Meaning of Happening" in The Cocktail Party
  2. Thomas Hanzo
  3. pp. 52-59
  4. DOI: https://doi.org/10.1353/mdr.1960.0041
  5. restricted access
  1. The Case for Harlequin: A Footnote on Shaw's Dramatic Method
  2. David Mayer
  3. pp. 60-74
  4. DOI: https://doi.org/10.1353/mdr.1960.0050
  5. restricted access
  1. The Progeny of Atreus
  2. Victor E. Hanzeli
  3. pp. 75-81
  4. DOI: https://doi.org/10.1353/mdr.1960.0000
  5. restricted access
  1. Wedekind in Retrospect
  2. Claude Hill
  3. pp. 82-92
  4. DOI: https://doi.org/10.1353/mdr.1960.0009
  5. restricted access
  1. J. M. Synge, 1871-1909 by David H. Greene and Edward M. Stephens (review)
  2. Ellen Douglass Leyburn
  3. pp. 93-95
  4. DOI: https://doi.org/10.1353/mdr.1960.0019
  5. restricted access
  1. Camus by Germaine Brée (review)
  2. Marilyn M. Barthelme
  3. pp. 96-97
  4. DOI: https://doi.org/10.1353/mdr.1960.0029
  5. restricted access
  1. "Mon ami le Theatre" by Jean-Jacques Bernard (review)
  2. Simone Dosmond
  3. p. 97
  4. DOI: https://doi.org/10.1353/mdr.1960.0038
  5. restricted access
  1. The Writer in Extremis, Expressionism in Twentieth-Century German Literature by Walter H. Sokel (review)
  2. Carl E. W. L. Dahlström
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/mdr.1960.0059
  5. restricted access
  1. The Contributors
  3. p. iii
  4. DOI: https://doi.org/10.1353/mdr.1960.0017
  5. restricted access
  1. Notes
  3. p. iv
  4. DOI: https://doi.org/10.1353/mdr.1960.0027
  5. restricted access