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Volume 27, Number 4, Winter 1984

Table of Contents

After Magritte, After Carroll, After Wittgenstein: What Tom Stoppard's Tortoise Taught Us

pp. 469-485 | DOI: 10.1353/mdr.1984.0055

Ghost Trio: Pinter's Family Voices

pp. 486-493 | DOI: 10.1353/mdr.1984.0058

The Fascination of Fascism: The Plays of Stephen Poliakoff

pp. 494-505 | DOI: 10.1353/mdr.1984.0061

Mythic Levels in Shepard's True West

pp. 506-519 | DOI: 10.1353/mdr.1984.0064

The American Dream in American Gothic: The Plays of Sam Shepard and Adrienne Kennedy

pp. 520-539 | DOI: 10.1353/mdr.1984.0067

French Feminism and Theatre: An Introduction

pp. 540-545 | DOI: 10.1353/mdr.1984.0069

Aller à la mer

pp. 546-548 | DOI: 10.1353/mdr.1984.0071

Writing and Displacement: Women in Theatre

pp. 549-563 | DOI: 10.1353/mdr.1984.0057

Comic Textures and Female Communities 1937 and 1977: Clare Boothe and Wendy Wasserstein

pp. 564-573 | DOI: 10.1353/mdr.1984.0060

Language and Meaning in Megan Terry's 1970s "Musicals"

pp. 574-583 | DOI: 10.1353/mdr.1984.0063

A Doll's House Revisited

pp. 584-603 | DOI: 10.1353/mdr.1984.0066

Ibsen's Little Eyolf: Family Tragedy and Human Responsibility

pp. 604-615 | DOI: 10.1353/mdr.1984.0068

The Master Builder and the Failure of Symbolic Success

pp. 616-636 | DOI: 10.1353/mdr.1984.0070

A "Laingian" Reading of Pirandello's Henry IV

pp. 637-645 | DOI: 10.1353/mdr.1984.0056

Book Review

Luigi Pirandello by Susan Bassnett-McGuire (review)

pp. 646-647 | DOI: 10.1353/mdr.1984.0059


pp. 648-650 | DOI: 10.1353/mdr.1984.0062

Contents of Volume XXVII

pp. 651-656 | DOI: 10.1353/mdr.1984.0065

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