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Browse Book and Journal Content on Project MUSE

Volume 26, Number 3, Fall 1983

Table of Contents

The Magic Triangle: Ingmar Bergman's Implied Philosophy of Theatrical Communication

pp. 251-261 | DOI: 10.1353/mdr.1983.0083

Strindberg and Ibsen: Toward a Cubism of Time in Drama

pp. 262-281 | DOI: 10.1353/mdr.1983.0011

Miss Julie: Strindberg's Tragic Fairy Tale

pp. 282-289 | DOI: 10.1353/mdr.1983.0025

Strindberg's To Damascus: Archetypal Autobiography

pp. 290-304 | DOI: 10.1353/mdr.1983.0039

Role Constraints versus Self-Identity in La tejedora de sueños and Anillos para una dama

pp. 300-319 | DOI: 10.1353/mdr.1983.0065

Natasha Ivanovna, the Lonely Bourgeoise

pp. 305-309 | DOI: 10.1353/mdr.1983.0052

Farce and Ritual: Arrabal's Contribution to Modern Tragic Farce

pp. 320-330 | DOI: 10.1353/mdr.1983.0078

A Note on O'Neill, Nietzsche, and Naturalism: Long Day's Journey into Night in European Perspective

pp. 331-334 | DOI: 10.1353/mdr.1983.0006

The Elephant Man as Dramatic Parable

pp. 335-356 | DOI: 10.1353/mdr.1983.0019

Hyperrealism in Contemporary Drama: Retrogressive or Avant-Garde?

pp. 357-367 | DOI: 10.1353/mdr.1983.0033

The Classical Tradition in Contemporary Québécois Theatre: Patterns of Ambivalence

pp. 368-381 | DOI: 10.1353/mdr.1983.0046

Book sReviews

Essays on Contemporary British Drama ed. by Hedwig Bock and Albert Wertheim (review)

pp. 382-383 | DOI: 10.1353/mdr.1983.0059

Essays on Contemporary American Drama ed. by Hedwig Bock and Albert Wertheim (review)

pp. 384-385 | DOI: 10.1353/mdr.1983.0072

"The Theatre We Worked For": The Letters of Eugene O'Neill to Kenneth Macgowan ed. by Jackson R. Bryer (review)

pp. 385-387 | DOI: 10.1353/mdr.1983.0001

Arthur Miller by Neil Carson (review)

pp. 388-389 | DOI: 10.1353/mdr.1983.0014

Harold Pinter by Bernard F. Dukore (review)

pp. 389-391 | DOI: 10.1353/mdr.1983.0028

Georg Büchner by Julian Hilton (review)

pp. 391-392 | DOI: 10.1353/mdr.1983.0041

Eugène Labiche and Georges Feydeau by Leonard C. Pronko (review)

pp. 392-394 | DOI: 10.1353/mdr.1983.0054

Georges Feydeau and the Aesthetics of Farce by Stuart E. Baker (review)

pp. 394-396 | DOI: 10.1353/mdr.1983.0067

The Theatre of Jean Anouilh by H.G. McIntyre (review)

pp. 396-397 | DOI: 10.1353/mdr.1983.0080

The Profane Book of Irish Comedy by David Krause (review)

p. 397 | DOI: 10.1353/mdr.1983.0008

Sean O'Casey's Bridge of Vision: Four Essays on Structure and Perspective by Carol Kleiman (review)

pp. 398-399 | DOI: 10.1353/mdr.1983.0022

New Broadways: Theatre Across America 1950-1980 by Gerald M. Berkowitz (review)

pp. 399-400 | DOI: 10.1353/mdr.1983.0036

The Story of Shaw's Saint Joan by Brian Tyson (review)

pp. 400-402 | DOI: 10.1353/mdr.1983.0049

The Unexpected Shaw: Biographical Approaches to G.B.S. and His Work by Stanley Weintraub (review)

pp. 402-403 | DOI: 10.1353/mdr.1983.0062


pp. 404-405 | DOI: 10.1353/mdr.1983.0075

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