+ MUSE Alert

In this Issue

Table of Contents

  1. Beckett's Ohio Impromptu: A View from the Isle of Swans
  2. Pierre Astier
  3. pp. 331-341
  4. DOI: https://doi.org/10.1353/mdr.1982.0056
  5. restricted access
  1. Light, Sound, Movement, and Action in Beckett's Rockaby
  2. Enoch Brater
  3. pp. 342-348
  4. DOI: https://doi.org/10.1353/mdr.1982.0070
  5. restricted access
  1. The Rip Word in A Piece of Monologue
  2. Kristin Morrison
  3. pp. 349-354
  4. DOI: https://doi.org/10.1353/mdr.1982.0003
  5. restricted access
  1. Beckett's Late Works: An Appraisal
  2. Martha Fehsenfeld
  3. pp. 355-362
  4. DOI: https://doi.org/10.1353/mdr.1982.0016
  5. restricted access
  1. Roger Planchon's Gilles de Rais: A Liturgy of Evil
  2. Rosette C. Lamont
  3. pp. 363-373
  4. DOI: https://doi.org/10.1353/mdr.1982.0027
  5. restricted access
  1. Armand Gatti, Subject to History: The Problem of Representation
  2. John Ireland
  3. pp. 374-386
  4. DOI: https://doi.org/10.1353/mdr.1982.0039
  5. restricted access
  1. Remembrance of Things Past: French Theater Praxis Today
  2. Laurence Romero
  3. pp. 387-398
  4. DOI: https://doi.org/10.1353/mdr.1982.0051
  5. restricted access
  1. French Stowaways on an American Milk Train: Williams, Cocteau and Peyrefitte
  2. Gilbert Debusscher
  3. pp. 399-408
  4. DOI: https://doi.org/10.1353/mdr.1982.0064
  5. restricted access
  1. The Composition of The Glass Menagerie: An Argument for Complexity
  2. Brian Parker
  3. pp. 409-422
  4. DOI: https://doi.org/10.1353/mdr.1982.0078
  5. restricted access
  1. Edward Bond's Dialectic: Irony and Dramatic Metaphors
  2. Robert L. Tener
  3. pp. 423-434
  4. DOI: https://doi.org/10.1353/mdr.1982.0011
  5. restricted access
  1. The Antitheatrical Prejudice by Jonas Barish (review)
  2. Eileen Fischer
  3. pp. 435-437
  4. DOI: https://doi.org/10.1353/mdr.1982.0022
  5. restricted access
  1. The Onstage Christ: Studies in the Persistence of a Theme by John Ditsky (review)
  2. June Schlueter
  3. pp. 437-438
  4. DOI: https://doi.org/10.1353/mdr.1982.0034
  5. restricted access
  1. Chekhov's Great Plays: A Critical Anthology ed. by Jean-Pierre Barricelli (review)
  2. James M. Curtis
  3. pp. 438-440
  4. DOI: https://doi.org/10.1353/mdr.1982.0046
  5. restricted access
  1. Modern British Drama (Goldentree Bibliographies) by Charles A. Carpenter (review)
  2. E.H. Mikhail
  3. pp. 440-441
  4. DOI: https://doi.org/10.1353/mdr.1982.0058
  5. restricted access
  1. Mediations: Essays on Brecht, Beckett, and the Media by Martin Esslin (review)
  2. Alfred Schwarz
  3. pp. 441-443
  4. DOI: https://doi.org/10.1353/mdr.1982.0072
  5. restricted access
  1. Bertolt Brecht: Political Theory and Literary Practice ed. by Betty Nance Weber and Hubert Heinen (review)
  2. Michael Hays
  3. pp. 443-446
  4. DOI: https://doi.org/10.1353/mdr.1982.0005
  5. restricted access
  1. Roger Planchon: director and playwright by Yvette Daoust (review)
  2. Rosette C. Lamont
  3. pp. 446-448
  4. DOI: https://doi.org/10.1353/mdr.1982.0018
  5. restricted access
  1. La relation théâtrale ed. by Regis Durand, and: Études littéraires ed. by Jeannette Laillou Savona (review)
  2. Keir Elam
  3. pp. 448-450
  4. DOI: https://doi.org/10.1353/mdr.1982.0030
  5. restricted access
  1. Henrik Ibsen: Mennesket og Kunstneren by Daniel Haakonsen (review)
  2. Charles Leland
  3. pp. 450-452
  4. DOI: https://doi.org/10.1353/mdr.1982.0042
  5. restricted access
  1. American Dreams: The Imagination of Sam Shepard ed. by Bonnie Marranca (review)
  2. Charles Bachman
  3. pp. 452-454
  4. DOI: https://doi.org/10.1353/mdr.1982.0054
  5. restricted access
  1. Contributors
  3. pp. 455-456
  4. DOI: https://doi.org/10.1353/mdr.1982.0068
  5. restricted access