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Browse Book and Journal Content on Project MUSE

Volume 23, Number 3, Fall 1980

Table of Contents

From: Modern Drama

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"The Formless Hunch": An Interview with Peter Brook

pp. 221-226 | DOI: 10.1353/mdr.1980.0017

Harold Pinter's Betrayal: The Patterns of Banality

pp. 227-237 | DOI: 10.1353/mdr.1980.0021

Pinter's Betrayal and the Comedy of Manners

pp. 238-245 | DOI: 10.1353/mdr.1980.0025

Pinter's Progress

pp. 250-257 | DOI: 10.1353/mdr.1980.0003

Violence and the Comic in the Plays of Edward Bond

pp. 258-268 | DOI: 10.1353/mdr.1980.0007

Beyond Politics in Bond's Lear

pp. 269-276 | DOI: 10.1353/mdr.1980.0011

Liturgy and Time in Counterpoint: A View of T.S. Eliot's Murder in the Cathedral

pp. 277-291 | DOI: 10.1353/mdr.1980.0015

Voices in the Cathedral: The Chorus in Eliot's Murder in the Cathedral

pp. 294-296 | DOI: 10.1353/mdr.1980.0019

Lascelles Abercrombie — Playwright

pp. 297-308 | DOI: 10.1353/mdr.1980.0024

Theatre Space: A Historical Overview of the Theatre Movement in Ghana

pp. 309-319 | DOI: 10.1353/mdr.1980.0006

Book Reviews

British Theatre since 1955: A Reassessment by Ronald Hayman, and: The New British Drama: Fourteen Playwrights since Osborne and Pinter by Oleg Kerensky (review)

pp. 320-323 | DOI: 10.1353/mdr.1980.0002

Theatre and Anti-Theatre: New Movements since Beckett by Ronald Hayman (review)

pp. 323-324 | DOI: 10.1353/mdr.1980.0010


pp. 325-326 | DOI: 10.1353/mdr.1980.0014

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