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Table of Contents

  1. Pirandellian Theatre Games: Spectator as Victim
  2. J.L. Styan
  3. pp. 95-101
  4. DOI: https://doi.org/10.1353/mdr.1980.0029
  5. restricted access
  1. Pirandello and the Waiting Stage of the Absurd (With Some Observations on a New "Critical Language")
  2. Anne Paolucci
  3. pp. 102-111
  4. DOI: https://doi.org/10.1353/mdr.1980.0031
  5. restricted access
  1. "Making Yourself All Up Again": The Composition of Samuel Beckett's That Time
  2. S.E. Gontarski
  3. pp. 112-120
  4. DOI: https://doi.org/10.1353/mdr.1980.0033
  5. restricted access
  1. Modern Drama Studies: An Annual Bibliography
  2. Charles A. Carpenter
  3. pp. 121-199
  4. DOI: https://doi.org/10.1353/mdr.1980.0034
  5. restricted access
  1. The Cant of Comic Criticism
  2. Ruby Cohn
  3. pp. 200-208
  4. DOI: https://doi.org/10.1353/mdr.1980.0026
  5. restricted access
  1. Samuel Beckett: The Critical Heritage ed. by Lawrence Graver and Raymond Federman (review)
  2. Linda Ben-Zvi
  3. pp. 208-209
  4. DOI: https://doi.org/10.1353/mdr.1980.0027
  5. restricted access
  1. A Portrait of the Artist: The Plays of Tennessee Williams by Foster Hirsch (review)
  2. Thomas P. Adler
  3. pp. 210-212
  4. DOI: https://doi.org/10.1353/mdr.1980.0028
  5. restricted access
  1. Metafictional Characters in Modern Drama by June Schlueter (review)
  2. J.L. Styan
  3. pp. 213-215
  4. DOI: https://doi.org/10.1353/mdr.1980.0030
  5. restricted access
  1. Contributors
  2. pp. 216-217
  3. DOI: https://doi.org/10.1353/mdr.1980.0032
  4. restricted access