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Volume 2, Number 1, Spring 1959

Table of Contents

Foreword

p. ii | DOI: 10.1353/mdr.1959.0007

The Contributors

p. iii | DOI: 10.1353/mdr.1959.0004

Comedy and Tragedy in Christopher Fry

pp. 3-7 | DOI: 10.1353/mdr.1959.0009

Dramatic Values, Yeats, and The Countess Cathleen

pp. 8-16 | DOI: 10.1353/mdr.1959.0011

Character as Destiny in Hofmannsthal's Electra

pp. 17-28 | DOI: 10.1353/mdr.1959.0013

The Anti-Spiritual Victory in the Theater of Ionesco

pp. 29-35 | DOI: 10.1353/mdr.1959.0001

The Strategy of Samuel Beckett's Endgame

pp. 36-44 | DOI: 10.1353/mdr.1959.0003

Miracle on Broadway: And the Box-Office Magic of the Bible

pp. 45-46 | DOI: 10.1353/mdr.1959.0006

Theater in London

pp. 47-50 | DOI: 10.1353/mdr.1959.0008

Denmark and the Modern Drama

pp. 51-56 | DOI: 10.1353/mdr.1959.0010

New Life in Chile's Theater

pp. 57-62 | DOI: 10.1353/mdr.1959.0012

Book Reviews

The Theater and Its Double by Antonin Artaud (review)

pp. 63-64 | DOI: 10.1353/mdr.1959.0000

Eugene O'Neill and the Tragic Tension: An Interpretive Study of the Plays by Doris V. Falk (review)

pp. 64-65 | DOI: 10.1353/mdr.1959.0002

Helen in Egypt and Other Plays by John Heath-Stubbs (review)

pp. 65-67 | DOI: 10.1353/mdr.1959.0005

Research Areas

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