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Table of Contents

  1. Entretiens avec Eugène Ionesco
  2. Laure Rièse
  3. pp. 347-350
  4. DOI: https://doi.org/10.1353/mdr.1972.0052
  5. restricted access
  1. Krapp's Last Tape as Tragicomedy
  2. Bernard F. Dukore
  3. pp. 351-354
  4. DOI: https://doi.org/10.1353/mdr.1972.0048
  5. restricted access
  1. The Radical Idealism of The Screens
  2. Margaret Scarborough
  3. pp. 355-368
  4. DOI: https://doi.org/10.1353/mdr.1972.0066
  5. restricted access
  1. Genet—Triana—Kopit: Ritual as "Danse Macabre"
  2. Anne C. Murch
  3. pp. 369-381
  4. DOI: https://doi.org/10.1353/mdr.1972.0039
  5. restricted access
  1. Artaud's Use of Language, Sound, and Tone
  2. Maurice M. LaBelle
  3. pp. 383-390
  4. DOI: https://doi.org/10.1353/mdr.1972.0069
  5. restricted access
  1. Strindberg, Antoine and Lugné-Poë: A Study in Cross-Purposes
  2. Laurence Senelick
  3. pp. 391-401
  4. DOI: https://doi.org/10.1353/mdr.1972.0073
  5. restricted access
  1. Ibsen and Nietzsche: A Reading of The Master Builder
  2. Michael Hinden
  3. pp. 403-410
  4. DOI: https://doi.org/10.1353/mdr.1972.0062
  5. restricted access
  1. Robert Lowell's Benito Cereno
  2. Mark W. Estrin
  3. pp. 411-426
  4. DOI: https://doi.org/10.1353/mdr.1972.0055
  5. restricted access
  1. Synge and His Critics
  2. Donald M. Michie
  3. pp. 427-431
  4. DOI: https://doi.org/10.1353/mdr.1972.0033
  5. restricted access
  1. A Case of Identity: The Source of Pirandello's As You Desire Me
  2. John B. Rey
  3. pp. 433-439
  4. DOI: https://doi.org/10.1353/mdr.1972.0045
  5. restricted access
  1. Chehov's Magic Lake: A Reading of The Seagull
  2. Keith Sagar
  3. pp. 441-447
  4. DOI: https://doi.org/10.1353/mdr.1972.0059
  5. restricted access
  1. Alexander Popovic: Sound-Images, Metaphor-Scenes, and Audience-Involvement
  2. E. J. Czerwinski
  3. pp. 449-456
  4. DOI: https://doi.org/10.1353/mdr.1972.0042
  5. restricted access
  1. Accelerated Grimace: Expressionism in the American Drama of the 1920s by Mardi Valgemae (review)
  2. R. B. Parker
  3. pp. 457-459
  4. DOI: https://doi.org/10.1353/mdr.1972.0038
  5. restricted access
  1. Theatre of War by Eric Bentley (review)
  2. Ruby Cohn
  3. pp. 459-461
  4. DOI: https://doi.org/10.1353/mdr.1972.0051
  5. restricted access
  1. Arthur Wing Pinero by Walter Lazenby (review)
  2. Alexander Leggatt
  3. pp. 461-463
  4. DOI: https://doi.org/10.1353/mdr.1972.0044
  5. restricted access
  1. Ramón del Valle-Inclán by Robert Lima (review)
  2. Erminio G. Neglia
  3. pp. 463-464
  4. DOI: https://doi.org/10.1353/mdr.1972.0058
  5. restricted access
  1. Peter Handke by Nicholas Hern (review)
  2. Martin Esslin
  3. pp. 464-465
  4. DOI: https://doi.org/10.1353/mdr.1972.0065
  5. restricted access
  1. Conversation with Eugène Ionesco
  2. Laure Rièse, Marilyn Craven
  3. pp. 465-468
  4. DOI: https://doi.org/10.1353/mdr.1972.0072
  5. restricted access
  1. Contributors
  3. p. iii
  4. DOI: https://doi.org/10.1353/mdr.1972.0036
  5. restricted access