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Volume 15, Number 1, Spring 1972

Table of Contents

From: Modern Drama

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The Contributors

p. iii | DOI: 10.1353/mdr.1972.0024

Articles

Strindberg and the New Poetics

pp. 1-14 | DOI: 10.1353/mdr.1972.0027

Peacocks and Mothers: Theme and Dramatic Metaphor in O'Casey's Juno and the Paycock

pp. 15-25 | DOI: 10.1353/mdr.1972.0002

Tennessee Williams' Fugitive Kind

pp. 26-43 | DOI: 10.1353/mdr.1972.0029

The Red Lantern: A Study of the Impact of the Cultural Revolution on Drama in China

pp. 44-53 | DOI: 10.1353/mdr.1972.0010

The Secret Agent on Stage

pp. 54-67 | DOI: 10.1353/mdr.1972.0005

The Cornell Letters: Eugene O'Neill on His Craftmanship to George Jean Nathan

pp. 68-88 | DOI: 10.1353/mdr.1972.0007

Shaw's Blakean Vision: A Dialectic Approach to Heartbreak House

pp. 89-103 | DOI: 10.1353/mdr.1972.0017

Book Reviews

Modern Drama from Communist China ed. by Walter J. Meserve and Ruth I. Meserve (review)

pp. 104-105 | DOI: 10.1353/mdr.1972.0015

The Shape of Chaos: An Interpretation of the Art of Samuel Beckett by David H. Hesla (review)

pp. 105-106 | DOI: 10.1353/mdr.1972.0019

The First Avant-Garde (1887-1894) by John A. Henderson (review)

pp. 107-108 | DOI: 10.1353/mdr.1972.0012

Jean Racine: Mythos and Renewal in Modern Theater by Bettina L. Knapp (review)

pp. 108-109 | DOI: 10.1353/mdr.1972.0022

Books in Brief

p. 110 | DOI: 10.1353/mdr.1972.0000

Research Areas

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