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Volume 13, Number 3, Fall 1970

Table of Contents

From: Modern Drama

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The Contributors

p. iii | DOI: 10.1353/mdr.1970.0036

Articles

The Freedom of the German Repertoire

pp. 237-246 | DOI: 10.1353/mdr.1970.0021

Note

p. 246

Preliminary Notes on the German Dramaturg and American Theater

pp. 254-258 | DOI: 10.1353/mdr.1970.0048

The Invisible Theater: The Rise of Radio Drama in Germany after 1945

pp. 259-269 | DOI: 10.1353/mdr.1970.0055

Duerrenmatt's Physicists and the Tragic Tradition

pp. 270-275 | DOI: 10.1353/mdr.1970.0010

Dürrenmatt's Play Strindberg

pp. 276-283 | DOI: 10.1353/mdr.1970.0032

The Lonely Baal: Brecht's First Play as a Parody of Hanns Johst's Der Einsame

pp. 284-303 | DOI: 10.1353/mdr.1970.0067

Peter Weiss's Marat/Sade

pp. 304-315 | DOI: 10.1353/mdr.1970.0060

Interview with Martin Walser

pp. 316-323 | DOI: 10.1353/mdr.1970.0072

German Drama in Poland After World War II

pp. 324-335 | DOI: 10.1353/mdr.1970.0043

Book Review

The Playwright As Entertainer.

pp. 336-340 | DOI: 10.1353/mdr.1970.0052

Fragments of a Journal by Eugène Ionesco (review)

pp. 341-342 | DOI: 10.1353/mdr.1970.0064

Das Groteske und das Absurde Im Modernen Drama by Arnold Heidsieck (review)

pp. 342-343 | DOI: 10.1353/mdr.1970.0003

Friedrich Dürrenmatt by Armin Arnold (review)

pp. 343-344

Frank Wedekind by Sol Gittleman (review)

pp. 344-345 | DOI: 10.1353/mdr.1970.0014

The Making of T. S. Eliot's Plays by E. Martin Browne (review)

pp. 345-346 | DOI: 10.1353/mdr.1970.0025

Research Areas

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