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Browse Book and Journal Content on Project MUSE

Volume 11, Number 3, Fall 1968

Table of Contents

From: Modern Drama

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The Contributors

p. iii | DOI: 10.1353/mdr.1968.0043


Synge's Prose Writings: A First View of the Whole

pp. 221-226 | DOI: 10.1353/mdr.1968.0063

Sainthood for Millionaires: Major Barbara

pp. 227-244 | DOI: 10.1353/mdr.1968.0029

John Bull's Other Island-Yeats and Shaw

pp. 245-251 | DOI: 10.1353/mdr.1968.0035

O'Casey and Yeats and the Druid

pp. 252-262 | DOI: 10.1353/mdr.1968.0041

The Four-Act Version of The Importance of Being Earnest

pp. 263-266 | DOI: 10.1353/mdr.1968.0047

Trials in the Soundscape: The Radio Plays of Samuel Beckett

pp. 267-282 | DOI: 10.1353/mdr.1968.0053

The Futile Encounter in the Plays of John Whiting

pp. 283-298 | DOI: 10.1353/mdr.1968.0059

Samuel Beckett's Film

pp. 299-305 | DOI: 10.1353/mdr.1968.0066

John Arden's Use of the Stage

pp. 306-316 | DOI: 10.1353/mdr.1968.0033

Whatever Happened to Arnold Wesker?: His Recent Plays

pp. 317-325 | DOI: 10.1353/mdr.1968.0039

Pinter's A Slight Ache as Ritual

pp. 326-335 | DOI: 10.1353/mdr.1968.0045

Book reviews

W. B. Yeats and Georgian Ireland by Donald Torchiana (review)

pp. 336-338 | DOI: 10.1353/mdr.1968.0051

Harold Pinter by Martin Esslin (review)

pp. 338-339 | DOI: 10.1353/mdr.1968.0057

All for Hecuba: An Irish Theatrical Autobiography by Michéal MacLiammóir (review)

pp. 339-341 | DOI: 10.1353/mdr.1968.0064

What Shaw Really Said by Ruth Adam, and: Bernard Shaw and the Theater in the Nineties: A Study of Shaw's Dramatic Criticism by Harold Fromm, and: The Wit and Satire of Bernard Shaw by Fred Mayne (review)

pp. 341-345 | DOI: 10.1353/mdr.1968.0031

Harold Pinter by Walter Kerr (review)

pp. 345-346 | DOI: 10.1353/mdr.1968.0037

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