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Volume 11, Number 1, Spring 1968

Table of Contents

From: Modern Drama

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The Contributors

p. iii | DOI: 10.1353/mdr.1968.0017

Dramatic Form: The Example of Godot

pp. 1-9 | DOI: 10.1353/mdr.1968.0022

Nigerian Drama in English

pp. 10-26 | DOI: 10.1353/mdr.1968.0026

Tennessee Williams' Persistent Battle of Angels

pp. 27-39 | DOI: 10.1353/mdr.1968.0002

Christopher Fry as Tragicomedian

pp. 40-47 | DOI: 10.1353/mdr.1968.0007

The Chain and the Circle: A Structural Comparison of Waiting for Godot and Endgame

pp. 48-53 | DOI: 10.1353/mdr.1968.0011

Edward Albee's Tiny Alice: A Note of Re-examination

pp. 54-60 | DOI: 10.1353/mdr.1968.0015

Confrontation and Escape in Two Social Dramas

pp. 61-72 | DOI: 10.1353/mdr.1968.0020

Propaganda and Art: Dramatic Theory and the American Depression

pp. 73-81 | DOI: 10.1353/mdr.1968.0024

Incongruous Humor in the Contemporary Spanish Theater

pp. 82-86 | DOI: 10.1353/mdr.1968.0000

Time, Fantasy, and Reality in Night of the Iguana

pp. 87-96 | DOI: 10.1353/mdr.1968.0005

Ugo Betti's Troubled Waters

pp. 97-108 | DOI: 10.1353/mdr.1968.0009

Book Reviews

Theater East and West: Perspectives Toward a Total Theater by Leonard C. Pronko (review)

p. 109 | DOI: 10.1353/mdr.1968.0013

Responses to Drama: An Introduction to Plays and Movies by Thelma Altshuler and Richard Paul Janaro (review)

p. 110 | DOI: 10.1353/mdr.1968.0018

Research Areas

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