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Browse Book and Journal Content on Project MUSE

Volume 10, Number 4, Winter 1967

Table of Contents

The Contributors

p. iii

The Lady Gregory Letters to G. B. Shaw

pp. 331-345 | DOI: 10.1353/mdr.1967.0033

The Two Published Versions of Sean O'Casey's Within the Gates

pp. 346-355 | DOI: 10.1353/mdr.1967.0043

Yeats's The Hour Glass

pp. 356-363 | DOI: 10.1353/mdr.1967.0052

The Mythic Pattern in Lorca's Blood Wedding

pp. 364-371 | DOI: 10.1353/mdr.1967.0061

Tragic Effect in The Hairy Ape

pp. 372-382 | DOI: 10.1353/mdr.1967.0070

Linda's Role in Death of a Salesman

pp. 383-386 | DOI: 10.1353/mdr.1967.0020

Satiric Theme and Structure in Murder in the Cathedral

pp. 387-393 | DOI: 10.1353/mdr.1967.0029

Oscar Wilde and his First Comedy

pp. 394-396 | DOI: 10.1353/mdr.1967.0039

Contemporary Japanese Theater: Symbolism in Shūsaku Endō's Ōgon No Kuni

pp. 397-400 | DOI: 10.1353/mdr.1967.0048

Frank Wedekind and Bertolt Brecht: Notes on a Relationship

pp. 401-409 | DOI: 10.1353/mdr.1967.0057

Reconciliation of Movement and Form in Diana and Tuda

pp. 410-415 | DOI: 10.1353/mdr.1967.0066

A Reading of Ionesco's The Killer

pp. 416-423 | DOI: 10.1353/mdr.1967.0016

Hamm, Clov, and Dramatic Method in Endgame

pp. 424-433 | DOI: 10.1353/mdr.1967.0025

Book Reviews

Shaw and the Charlatan Genius/A Memoir by John O'Donovan with Eighteen Illustrations (review)

pp. 434-435 | DOI: 10.1353/mdr.1967.0035

The Plays of Thornton Wilder by Donald Haberman (review)

pp. 436-437 | DOI: 10.1353/mdr.1967.0045

Brecht's Tradition by Max Spalter (review)

pp. 437-438 | DOI: 10.1353/mdr.1967.0054

Theatre in Southeast Asia by James R. Brandon (review)

pp. 438-439 | DOI: 10.1353/mdr.1967.0063

The Art of Oscar Wilde by Epifanio San Juan (review)

pp. 439-440 | DOI: 10.1353/mdr.1967.0073

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