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Table of Contents

  1. O'Neill and German Expressionism
  2. Mardi Valgemae
  3. pp. 111-123
  4. DOI: https://doi.org/10.1353/mdr.1967.0021
  5. restricted access
  1. The Fall and After—: Arthur Miller's Confession
  2. C. W. E. Bigsby
  3. pp. 124-136
  4. DOI: https://doi.org/10.1353/mdr.1967.0030
  5. restricted access
  1. The Theater of John Osborne
  2. Gabriel Gersh
  3. pp. 137-143
  4. DOI: https://doi.org/10.1353/mdr.1967.0040
  5. restricted access
  1. Lopez Rubio's Alberto: Character Revelation and Form
  2. Marion P. Holt
  3. pp. 144-150
  4. DOI: https://doi.org/10.1353/mdr.1967.0049
  5. restricted access
  1. Georges Schehadé: The Transfiguration of a Poetic Theatre
  2. Juris Silenieks
  3. pp. 151-160
  4. DOI: https://doi.org/10.1353/mdr.1967.0058
  5. restricted access
  1. Polus Naufrangia: A Key Symbol in The Ascent of F6
  2. William J. Bruehl
  3. pp. 161-164
  4. DOI: https://doi.org/10.1353/mdr.1967.0067
  5. restricted access
  1. Harold Pinter—Some Credits and Debits
  2. Victor E. Amend
  3. pp. 165-174
  4. DOI: https://doi.org/10.1353/mdr.1967.0017
  5. restricted access
  1. Proust and Redemption in Waiting for Godot
  2. Robert E. Todd
  3. pp. 175-181
  4. DOI: https://doi.org/10.1353/mdr.1967.0026
  5. restricted access
  1. Robert Bolt: Self, Shadow, and the Theater of Recognition
  2. Anselm Atkins
  3. pp. 182-188
  4. DOI: https://doi.org/10.1353/mdr.1967.0036
  5. restricted access
  1. Strindberg's Ghost Sonata: Parodied Fairy Tale on Original Sin
  2. Milton A. Mays
  3. pp. 189-194
  4. DOI: https://doi.org/10.1353/mdr.1967.0046
  5. restricted access
  1. The Form of The Caucasian Chalk Circle
  2. Ronald Gaskell
  3. pp. 195-201
  4. DOI: https://doi.org/10.1353/mdr.1967.0055
  5. restricted access
  1. Modern Drama: A Selective Bibliography of Works Published in English in 1966
  2. John D. Haskell Jr., Robert G. Shedd
  3. pp. 202-215
  4. DOI: https://doi.org/10.1353/mdr.1967.0064
  5. restricted access
  1. The Folk Drama of Ceylon by E. R. Sarachchandra (review)
  2. Faubion Bowers
  3. p. 216
  4. DOI: https://doi.org/10.1353/mdr.1967.0014
  5. restricted access
  1. Discussions of American Drama ed. by Walter J. Meserve (review)
  2. John T. Flanagan
  3. pp. 216-217
  4. DOI: https://doi.org/10.1353/mdr.1967.0023
  5. restricted access
  1. Histoire des Spectacles ed. by Guy Dumur (review)
  2. Ruby Cohn
  3. pp. 217-218
  4. DOI: https://doi.org/10.1353/mdr.1967.0032
  5. restricted access
  1. The Film-Maker's Art by Haig P. Manoogian (review)
  2. Mary J. McKee
  3. p. 219
  4. DOI: https://doi.org/10.1353/mdr.1967.0051
  5. restricted access
  1. Open Letters to the Intimate Theater by August Strindberg (review)
  2. Richard B. Vowles
  3. pp. 219-220
  4. DOI: https://doi.org/10.1353/mdr.1967.0042
  5. restricted access
  1. The Contributors
  2. p. iii
  3. DOI: https://doi.org/10.1353/mdr.1967.0071
  4. restricted access