Contributors

Contributors ANN MARIE ADAMS is a doctoral candidate at Bowling Green State University who specializes in twentieth-century British literature and postcolonial theory. CLAUDIA BARNETT is an Assistant Professor of English at Middle Tennessee State University . She has published articles in American Drama, The Pinter Review, and Theatre Journal. GERALDINE COUSIN is Senior Lecturer in Theatre Studies at the University of Warwick, England. She is the author ofChurchill the Playwright (1989), Killg folllZ (Shakespeare in Performance) (1994), and Women in Dramatic Place andTime: Contemporary Female Characters on Stage (1996). GEORGE W. CRANDELL is Associate Professor of English and Assistant Head of the English Depanment at Auburn University. In addition to anicles on American humour and modem drama he has publishedTennessee Williams: A Descriptive Bibliography (1995) and The Critical Response to Tennessee Williams (1996). He is currently working on a descriptive bibliography of the works of Arthur Miller. DANIEL DAVY is an Assistant Professor ofTheatre in the Depanment ofSpeech Communication , Theatre and Dance at Kansas State University. He has published essays on Jerzy Grotowski, Synge's Riders to the Sea, and Shelley's The Cenci. DAVID KRAUSE IS Professor of English emeritus at Brown University. Over the years he has done considerable work on Irish literature, particularly drama. DESMOND GALLANT is a graduate student in the directing program at Florida Atlantic University . He has worked professionally for many years as an actor and director and diModern Drama, 40 (1997) 431 432 CONTRIBUTORS reeled Howard Barker's The Castle in the 1996 mainstage season at Florida Atlantic University. CARLA I. MCDONOUGH is an Associate Professor in the English Department at Eastern Illinois University, where she teaches drama. She is the author ofStaging Masculinities: Male Identity in COlilernporary American Drama and has published articles in Theatre Journal and The Journal of Dramatic Theory and Criticism. Further discussion of Adrienne Kennedy's work appears in her contribution to Black Women Playwrights in Twentieth Century America. CAROLE-ANNE UPTON is a Special Lecturer in Drama at the University of Hull, England. She has been active in organizing amajor international conference on translating for the theatre held at Hull, in September, 1997. "Belongs on the bookshelf of anyone entering the acting profession, or just curious about the mysteries of the theater." -Jason fogelson, William Morris I1gency, Inc. flCTING NOW Conversations on Croft and Career EDWARD VllGA j:l riveting collection of fifteen intervilZws with actors, coaches, directors, and producers. exploring the difficulties and rewords of being on actor fodo,::!_ The interviewees are Stella Rdler, Harold Baldridge. Tanya Berezin, Rndre Bishop, Robert Brustein, Ellen Burstyn, Robert foils, Morilyn fried, Spolding Groy, Henry Kimsey-House, Scott Mocouloy, Austin Pendleton, Neil Pepe, Juliet Toylor, ond Nelo Wogmon. 224 pp. 16 b & w iIIus. Poper. $16.95; Cloth. $48.00 RUT G ER SUN IVt: RSI TY PRt: SS Rvoilable in boo ks to res or coli (800) 446-9323 ...