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1970 ATHOL FUGARD'S Hello and Goodbye 155 struggling with the desire for independence; the importance of answering the question, "where do you belong?" And from the harsh accents of urban South Africa, Fugard has distilled poetry and meaning; from his low-pitched characters he has extracted the full tragedy and comedy of everyday life, everywhere. R. J. GREEN NOTE SEAN O'CASEY BIBLIOGRAPHY As a friend of Sean O'Casey and his family, I have, since his death, been acting as literary executor to his estate and editor of his unpublished papers. My immediate task, however, is a commission from the playwright's publishers to compile-in collaboration with Michael J. Durkan-as complete as possible a bibliography of O'Casey's published writings, including books, pamphlets, and letters and articles in newspapers and periodicals. Indeed, we plan to include details of all the author's writings printed in any form: this would include theater programmes which contain notes by him or extracts from his writings. A good number of professional, amateur, and college productions of O'Casey's plays have made use of quotations from his letters for publicity purposes, in newspapers or in programme notes. If you know of any such publication-however brief the quotation and however obscure the journal or programme concerned-we should be deeply grateful to hear from you. Please help us to make the Bibliography as comprehensive as possible so that it may be the more effective as a working tool for students and scholars researching this great dramatist's writings. Mr. Durkan's address is: and mine is: Thank you. Olin Library, Wesleyan University, Middletown, Conn. 06457 Department of English, University of Alberta, Edmonton 7, Canada RONALD AYLING ...

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