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In this Issue

Table of Contents

  1. Intransitive, and: Work & Days
  2. Christopher Buckley
  3. pp. 7-10
  4. DOI: https://doi.org/10.1353/mis.1984.0046
  5. restricted access
  1. Intransitive
  2. Christopher Buckley
  3. p. 9
  4. DOI: https://doi.org/10.1353/mis.1984.0078
  5. restricted access
  1. Work & Days
  2. Christopher Buckley
  3. p. 10
  4. DOI: https://doi.org/10.1353/mis.1984.0082
  5. restricted access
  1. Autumnal
  2. Daniel Halpern
  3. p. 11
  4. DOI: https://doi.org/10.1353/mis.1984.0086
  5. restricted access
  1. Autumnal, and: Below Keats' Room, Early Morning
  2. Daniel Halpern
  3. pp. 11-12
  4. DOI: https://doi.org/10.1353/mis.1984.0051
  5. restricted access
  1. Below Keats' Room, Early Morning
  2. Daniel Halpern
  3. p. 12
  4. DOI: https://doi.org/10.1353/mis.1984.0091
  5. restricted access
  1. Album
  2. Carol Frost
  3. p. 13
  4. DOI: https://doi.org/10.1353/mis.1984.0087
  5. restricted access
  1. Album, and: To Kill A Deer, and: The Migration of Butterflies
  2. Carol Frost
  3. pp. 13-15
  4. DOI: https://doi.org/10.1353/mis.1984.0056
  5. restricted access
  1. To Kill A Deer
  2. Carol Frost
  3. p. 14
  4. DOI: https://doi.org/10.1353/mis.1984.0092
  5. restricted access
  1. The Migration of Butterflies
  2. Carol Frost
  3. p. 15
  4. DOI: https://doi.org/10.1353/mis.1984.0068
  5. restricted access
  1. Horizon
  2. Philippe Soupault, Paulette Schmidt
  3. p. 16
  4. DOI: https://doi.org/10.1353/mis.1984.0093
  5. restricted access
  1. Horizon, and: Let Old Fools Have the Floor
  2. Philippe Soupault, Paulette Schmidt
  3. pp. 16-17
  4. DOI: https://doi.org/10.1353/mis.1984.0061
  5. restricted access
  1. Let Old Fools Have the Floor
  2. Philippe Soupault, Paulette Schmidt
  3. p. 17
  4. DOI: https://doi.org/10.1353/mis.1984.0069
  5. restricted access
  1. Siege
  2. Omar S. Pound
  3. pp. 18-22
  4. DOI: https://doi.org/10.1353/mis.1984.0066
  5. restricted access
  1. From the First Book of the Ocean to Sandra
  2. Glover Davis
  3. p. 23
  4. DOI: https://doi.org/10.1353/mis.1984.0039
  5. restricted access
  1. Swirling Lines
  2. Ricardo Pau-Llosa
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/mis.1984.0044
  5. restricted access
  1. Sentry of the Silent
  2. René Char, Charles Guenther
  3. p. 26
  4. DOI: https://doi.org/10.1353/mis.1984.0079
  5. restricted access
  1. Sentry of the Silent, and: End of Solemnities, and: Predecessor
  2. René Char, Charles Guenther
  3. pp. 26-28
  4. DOI: https://doi.org/10.1353/mis.1984.0049
  5. restricted access
  1. End of Solemnities
  2. René Char, Charles Guenther
  3. p. 27
  4. DOI: https://doi.org/10.1353/mis.1984.0083
  5. restricted access
  1. Predecessor
  2. René Char, Charles Guenther
  3. p. 28
  4. DOI: https://doi.org/10.1353/mis.1984.0088
  5. restricted access
  1. The Art of Imitation
  2. Pattiann Rogers
  3. p. 29
  4. DOI: https://doi.org/10.1353/mis.1984.0054
  5. restricted access
  1. Going Back
  2. Bruce Beasley
  3. p. 30
  4. DOI: https://doi.org/10.1353/mis.1984.0059
  5. restricted access
  1. The Arriviste
  2. Katherine Kane
  3. pp. 31-33
  4. DOI: https://doi.org/10.1353/mis.1984.0073
  5. restricted access
  1. The Arriviste, and: The Rabbi Said Never Go to Bed Angry
  2. Katherine Kane
  3. pp. 31-36
  4. DOI: https://doi.org/10.1353/mis.1984.0064
  5. restricted access
  1. The Rabbi Said Never Go to Bed Angry
  2. Katherine Kane
  3. pp. 34-36
  4. DOI: https://doi.org/10.1353/mis.1984.0077
  5. restricted access
  1. A Sunday at the Beach, 1938
  2. George Bogin
  3. p. 37
  4. DOI: https://doi.org/10.1353/mis.1984.0081
  5. restricted access
  1. A Sunday at the Beach, 1938, and: A Summer Night on Long Island
  2. George Bogin
  3. pp. 37-38
  4. DOI: https://doi.org/10.1353/mis.1984.0037
  5. restricted access
  1. A Summer Night on Long Island
  2. George Bogin
  3. p. 38
  4. DOI: https://doi.org/10.1353/mis.1984.0085
  5. restricted access
  1. from Orphic Songs
  2. Dino Campana, Charles Wright
  3. pp. 39-42
  4. DOI: https://doi.org/10.1353/mis.1984.0084
  5. restricted access
  1. from Orphic Songs, and: Voyage to Montevideo, and: Autumn Garden, and: In the Mountains, and: Song of Darkness
  2. Dino Campana, Charles Wright
  3. pp. 39-48
  4. DOI: https://doi.org/10.1353/mis.1984.0042
  5. restricted access
  1. Voyage to Montevideo
  2. Dino Campana, Charles Wright
  3. pp. 43-44
  4. DOI: https://doi.org/10.1353/mis.1984.0089
  5. restricted access
  1. Autumn Garden
  2. Dino Campana, Charles Wright
  3. p. 45
  4. DOI: https://doi.org/10.1353/mis.1984.0094
  5. restricted access
  1. In the Mountains
  2. Dino Campana, Charles Wright
  3. p. 46
  4. DOI: https://doi.org/10.1353/mis.1984.0070
  5. restricted access
  1. Song of Darkness
  2. Dino Campana, Charles Wright
  3. pp. 47-48
  4. DOI: https://doi.org/10.1353/mis.1984.0074
  5. restricted access
  1. A Summer Song Cycle, and: The Raft, and: Evangelist & Peregrine, and: Five Poems of Farewell
  2. Kathy Fagan
  3. pp. 49-58
  4. DOI: https://doi.org/10.1353/mis.1984.0047
  5. restricted access
  1. A Summer Song Cycle
  2. Kathy Fagan
  3. pp. 51-53
  4. DOI: https://doi.org/10.1353/mis.1984.0090
  5. restricted access
  1. The Raft
  2. Kathy Fagan
  3. p. 54
  4. DOI: https://doi.org/10.1353/mis.1984.0095
  5. restricted access
  1. Evangelist & Peregrine
  2. Kathy Fagan
  3. p. 55
  4. DOI: https://doi.org/10.1353/mis.1984.0071
  5. restricted access
  1. Five Poems of Farewell
  2. Kathy Fagan
  3. pp. 56-58
  4. DOI: https://doi.org/10.1353/mis.1984.0075
  5. restricted access
  1. An Interview With Charles Simic
  2. Charles Simic, Sherod Santos
  3. pp. 59-74
  4. DOI: https://doi.org/10.1353/mis.1984.0052
  5. restricted access
  1. Painters of Angels and Seraphim
  2. Charles Simic
  3. p. 75
  4. DOI: https://doi.org/10.1353/mis.1984.0096
  5. restricted access
  1. Painters of Angels and Seraphim, and: Ever So Tragic, and: Muttering Perhaps, or Humming, and: Birthday Star Atlas
  2. Charles Simic
  3. pp. 75-80
  4. DOI: https://doi.org/10.1353/mis.1984.0057
  5. restricted access
  1. Ever So Tragic
  2. Charles Simic
  3. p. 76
  4. DOI: https://doi.org/10.1353/mis.1984.0072
  5. restricted access
  1. Muttering Perhaps, or Humming
  2. Charles Simic
  3. p. 77
  4. DOI: https://doi.org/10.1353/mis.1984.0076
  5. restricted access
  1. Birthday Star Atlas
  2. Charles Simic
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/mis.1984.0080
  5. restricted access
  1. Acts of Will
  2. Mark Jarman
  3. pp. 81-94
  4. DOI: https://doi.org/10.1353/mis.1984.0062
  5. restricted access
  1. Sarah Cole: A Type of Love Story
  2. Russell Banks
  3. pp. 95-115
  4. DOI: https://doi.org/10.1353/mis.1984.0067
  5. restricted access
  1. Armadillo
  2. Laura Hendrie
  3. pp. 116-126
  4. DOI: https://doi.org/10.1353/mis.1984.0040
  5. restricted access
  1. The Posse
  2. Fred Chappell
  3. pp. 127-142
  4. DOI: https://doi.org/10.1353/mis.1984.0045
  5. restricted access
  1. Mr. Rogers at Night
  2. Katherine Estill
  3. pp. 143-155
  4. DOI: https://doi.org/10.1353/mis.1984.0050
  5. restricted access
  1. The Genealogies
  2. Margo Glantz, Magdalena Garcia-Pinto, Catherine Parke
  3. pp. 156-166
  4. DOI: https://doi.org/10.1353/mis.1984.0055
  5. restricted access
  1. The Secret Feather
  2. Robb Forman Dew
  3. pp. 167-184
  4. DOI: https://doi.org/10.1353/mis.1984.0060
  5. restricted access
  1. Beauty Is the Word
  2. Tennessee Williams
  3. pp. 185-195
  4. DOI: https://doi.org/10.1353/mis.1984.0065
  5. restricted access
  1. Hot Milk at Three in the Morning
  2. Tennessee Williams
  3. pp. 196-200
  4. DOI: https://doi.org/10.1353/mis.1984.0038
  5. restricted access
  1. Tennessee's Long Trip
  2. Allean Hale
  3. pp. 201-212
  4. DOI: https://doi.org/10.1353/mis.1984.0043
  5. restricted access
  1. Reflections on a Year in Harvard's Woodberry Reading Room
  2. Michael Milburn
  3. pp. 213-233
  4. DOI: https://doi.org/10.1353/mis.1984.0048
  5. restricted access
  1. Coming to an Understanding of Understanding: Deconstruction, Ordinary Language Philosophy and Contemporary Critical Theory
  2. Reed Way Dasenbrock
  3. pp. 234-245
  4. DOI: https://doi.org/10.1353/mis.1984.0053
  5. restricted access
  1. Critical Theory and Contemporary American Poetry
  2. Hank Lazer
  3. pp. 246-266
  4. DOI: https://doi.org/10.1353/mis.1984.0058
  5. restricted access
  1. Contributors Notes
  3. p. I
  4. DOI: https://doi.org/10.1353/mis.1984.0063
  5. restricted access
  1. Preface
  2. Speer Morgan
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/mis.1984.0041
  5. restricted access